Blackmagic URSA Cine 17K 65 Joins Netflix Approved Camera List
Blackmagic URSA Cine 17K 65 Joins Netflix Approved Camera List

Blackmagic URSA Cine 17K 65 Joins Netflix Approved Camera List

2025-06-25
3 mins read

Blackmagic Design’s flagship digital film camera, the URSA Cine 17K 65, has officially been added to the Netflix Approved Camera List, cementing its place among the elite imaging systems recognized by the streaming giant. With this move, Netflix gives a strong vote of confidence to Blackmagic’s bold leap into large-format, ultra-resolution cinematography—an area historically dominated by a few key players.

Blackmagic URSA Cine 17K 65 camera
Blackmagic URSA Cine 17K 65 camera

A Landmark Moment for Blackmagic Design

Netflix’s “Cameras and Image Capture: Requirements and Best Practices” document defines which cameras meet the stringent capture specifications necessary for producing Netflix Originals. Among the key criteria: minimum 4K sensor capture, robust dynamic range, approved RAW or high-quality I-Frame codec, and a stable workflow pipeline. The URSA Cine 17K 65, introduced earlier this year, now satisfies all of these—meaning that productions using this camera can officially qualify as Netflix Originals, provided that 90% of the program’s total runtime is shot with it. This inclusion places the 17K 65 alongside Blackmagic’s other approved systems, including the URSA Cine 12K LF, URSA Mini Pro 12K OLPF, and the widely adopted URSA Mini Pro 4.6K G2. But the 17K’s significance lies in its massive sensor, ultra-high resolution, and entirely new imaging architecture that positions it closer to the realm of IMAX than conventional digital cinema.

Filmmaker Florent Piovesan is shooting with the URSA Cine 17K 65
Filmmaker Florent Piovesan is shooting with the URSA Cine 17K 65

From Ambition to Approval

The addition to Netflix’s list is not just a technical win—it’s the culmination of a calculated strategy. As explored in Blackmagic’s Big-League Leap: How Sensor Patents Reveal a Master Plan, Blackmagic had been filing sensor-related patents hinting at medium format ambitions long before the URSA Cine 17K was publicly revealed. These filings suggested a pursuit of dynamic range and sensor surface area that could rival any player in the field. The company’s manufacturing precision and firmware prowess also played a critical role in Netflix’s decision. Manufacturing Excellence: What Blackmagic’s New Firmware Update Really Means for the URSA Cine 17K 65 dives into how fine-tuning readout speeds, noise suppression, and color science set the URSA apart from traditional large-format systems.

The Blackmagic URSA Cine 17K on Grant Petty presentation
The Blackmagic URSA Cine 17K in Grant Petty’s presentation

A Camera Built for the Big Screen—and the Stream

When Blackmagic released test footage from the camera earlier this year, the results stunned the filmmaking community. As seen in Blackmagic Releases URSA Cine 17K 65 Footage: A Technical Look at Medium Format Cinematography, the camera’s enormous 65mm sensor delivers a combination of field depth, texture, and subtlety that’s rare—even among high-end cinema cameras. Moreover, Blackmagic Unveils Readout Speeds for the URSA Cine 17K 65: What It Means for Filmmakers showed that despite its size, the 17K sensor achieves surprisingly fast performance, which is critical for dynamic narrative work—not just slow, composed epic shots. This means the URSA Cine 17K 65 isn’t just a specialty camera—it’s ready for mainstream, high-demand production environments, making it all the more suitable for Netflix Originals and big-budget episodic content.

Blackmagic Unveils Readout Speeds for the URSA Cine 17K 65: What It Means for Filmmakers
Blackmagic Unveils Readout Speeds for the URSA Cine 17K 65: What It Means for Filmmakers

Do Netflix Approved Cameras Really Matter?

It’s worth revisiting Do ‘Netflix Approved’ Cameras Really Matter?, which questioned the necessity and impact of Netflix’s strict requirements. While some filmmakers opt for non-approved cameras for creative reasons, having an approved system opens doors—especially for crews who want to avoid technical rejections in post or navigate the submission process with less friction. For Blackmagic, being on the list removes a long-standing barrier. It puts their flagship camera in the same room as industry icons like the ARRI ALEXA 65 and Sony VENICE 2—but with a radically different price-performance ratio and a disruptive spirit that’s always been part of Blackmagic’s DNA.

Filmmaker Florent Piovesan is shooting with the URSA Cine 17K 65
Filmmaker Florent Piovesan is shooting with the URSA Cine 17K 65

Final Thought

With Netflix now backing the URSA Cine 17K 65, Blackmagic Design has crossed a major threshold—not just in technology, but in prestige. This isn’t just a new camera getting approval; it’s a redefinition of who gets to play in the premium streaming production space. Medium format digital filmmaking just became more accessible, and that could ripple across the entire content industry. Explore the official Camera Production Guide for the URSA Cine 17K 65 here.

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YMCinema is a premier online publication dedicated to the intersection of cinema and cutting-edge technology. As a trusted voice in the industry, YMCinema delivers in-depth reporting, expert analysis, and breaking news on professional camera systems, post-production tools, filmmaking innovations, and the evolving landscape of visual storytelling. Recognized by industry professionals, filmmakers, and tech enthusiasts alike, YMCinema stands at the forefront of cinema-tech journalism.

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