Discuss Archives - Page 36 of 46 - Y.M.Cinema Magazine

Sony Alpha 1 and overheating in 8K recording

Sony Alpha 1: Does it Overheat in 8K?

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2021-02-05

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2 mins read

What do we know about 8K recording on the newly announced Sony Alpha 1? According to initial reviews, the camera does overheat in 8K recording. But is it bearable? Well, it depends.…

The Cameras Behind Sundance 2021’s Documentaries: Canon, Sony, and RED

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YMCinema

2021-02-02

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2 mins read

These are the cameras that shot the main 18 Sundance Film Festival 2021’s documentaries. As usual, the Canon EOS C300 is the weapon of choice for documentary filmmakers, following by Sony camcorders…

The lenses behind Sundance Film Festival 2021

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

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YMCinema

2021-02-01

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3 mins read

These are the lenses that shot 33 narrative feature films premiering at Sundance 2021. Most of the lenses are dedicated to cover Super 35 sensors. The list is characterized by unique pieces…

The cameras behind Sundance Film Festival 2021

The Cameras Behind Sundance 2021: ALEXA Mini Rules, and the BMPCC Chimes-In

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YMCinema

2021-01-31

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2 mins read

Let’s explore the cameras behind Sundance Film Festival 2021 which is the largest and most important independent film festival in the world. Our conclusions: The ARRI ALEXA Mini maintains its domination across…

The Artistic Fatigue of Large Format Cinematography

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YMCinema

2021-01-25

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3 mins read

Are we already developing some kind of large-format fatigue? It seems that those big sensors have conquered the cinematography world since many productions demand the “large-format look”. However, shooting large format holds…

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

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YMCinema

2021-01-20

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3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Watch: Super Epic Freefly Wave 4K 422FPS Footage

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YMCinema

2021-01-15

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2 mins read

Filmmaker Tyler Johnson from OL’TJP Films took the brand new ultra-high-speed compact 4K global shutter camera, the Freefly Wave for a spin. The result is pretty rad. Watch it below. Also, check…

Women’s Cinema: Meet Cinematographer and Camera Operator Emily Michelle Gonzales

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YMCinema

2021-01-07

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6 mins read

As a part of our series, Women’s Cinema, we interviewed cinematographer and camera operator Emily (Em) Michelle Gonzales. In this inspiring session, Em sheds light on how’s like to work on a…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

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YMCinema

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

“The Grey” (2011): Cinematography Pushed to the Limit

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YMCinema

2020-12-24

Discuss

3 mins read

Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…

Discuss - Page 36

Sony Alpha 1: Does it Overheat in 8K?

The Cameras Behind Sundance 2021’s Documentaries: Canon, Sony, and RED

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

The Cameras Behind Sundance 2021: ALEXA Mini Rules, and the BMPCC Chimes-In

The Artistic Fatigue of Large Format Cinematography

The Cameras Behind Best Netflix Original Movies of 2020

Watch: Super Epic Freefly Wave 4K 422FPS Footage

Women’s Cinema: Meet Cinematographer and Camera Operator Emily Michelle Gonzales

2020: The Year of the Large Format Cinematography

“The Grey” (2011): Cinematography Pushed to the Limit

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