Educate Archives - Page 43 of 48 - Y.M.Cinema Magazine

1917: The First Film That Was Shot on the ARRI ALEXA Mini LF

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2019-10-01

Educate

2 mins read

The upcoming 2019 British-American war film directed by Sam Mendes is the first film that was shot on the newest camera from ARRI: The Mini LF (large format). Take a look at…

The cameras behind multiple awards winner: Free Solo

“Free Solo” Multiple Award-Winning Film was Shot on C300 Mark II and URSA Mini

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Yossy Mendelovich

2019-09-22

Educate

4 mins read

The 71ST Emmy Awards ceremony that held today reminds us of the multiple award-winning Free Solo, which is one of the most exceptional cinematography and storytelling achievements ever. The film was shot…

From C300 to C500 Mark II: The History of Canon Cinema EOS Cameras

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Yossy Mendelovich

2019-09-09

Educate

5 mins read

From 2011 (C300) till last week (C500 Mark II). Canon has earned some decent experience (and history) on manufacturing cinema cameras. Many of them were successful in penetrating the professional cinema market,…

Modern Cameras Connectivity to Wi-Fi Make Them Vulnerable to Ransomware and Malware

Filmmaker’s Nightmare: Camera Has Been Hacked

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Yossy Mendelovich

2019-08-14

Educate

4 mins read

Our cinema cameras are exposed to hackers. A recent cybersecurity study conducted by leading IT security company has revealed major breaches in the Picture Transfer Protocol of modern cameras when connected to…

Once Upon a Time in Hollywood-Cinema tools

Once Upon a Time in Hollywood Proves That Film is (Still) The King

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Yossy Mendelovich

2019-08-06

Educate

3 mins read

Quentin Tarantino’s latest film is full of retro “old” cameras combined with modern and vintage lenses. Once Upon a Time in Hollywood, which was shot on Kodak 35mm is the proof that…

Cinema Cameras Dynamic Range Comparison: “Paycheck Stops” vs.“Gravy Stops”

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Yossy Mendelovich

2019-08-05

Educate

3 mins read

DR (Dynamic Range) is one of the most crucial factors regarding image quality and capabilities of cinema cameras. High DR indicates high sensor’ technology and the camera’s abilities. However, there is no…

ALEXA Mini paired with the Cooke 35-140mm Anamorphic/i

Cooke Anamorphic/i, ALEXA Mini and Pursuit Systems: The Tools That Made “The Summer of Jeep” Campaign so Cinematic

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Yossy Mendelovich

2019-07-25

Educate

4 mins read

Cinematographer Jordan Levy shares with us the process of making the new “The Summer of Jeep” campaign starring Jeremy Renner. Jordan combined some super sexy tools, like the Cooke 35-140mm Anamorphic/i zoom,…

The Mini-Mags Saga: RED Should Get Back to the Planning Table

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Yossy Mendelovich

2019-07-17

Educate

3 mins read

Linus Tech Tips has decided to join the party about the saga between RED and Jinni Tech (or vice versa). Linus disassembled its own 960 GB Mini-Mag, to investigate and get some…

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

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Yossy Mendelovich

2019-07-16

Educate

6 mins read

UNGDOMARNA is a short and beautiful commercial film shot entirely on the Kinefinity MAVO LF. Filmmaker Benjamin Cotton shares with us his tips, tricks, and thoughts about using this evolutionary and revolutionary…

ARRI ALEXA Mini & Blackmagic URSA Mini Pro

Blackmagic URSA Mini Pro and ARRI ALEXA Mini: The Optimal On-Set Combination

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Yossy Mendelovich

2019-07-15

Educate

4 mins read

It appears that a $6,000 camera (URSA Mini Pro) can easily keep up with a $45,500 camera (ALEXA Mini) in professional high-end production and post-production environments. How can those cinema cameras be…

Educate - Page 43

1917: The First Film That Was Shot on the ARRI ALEXA Mini LF

“Free Solo” Multiple Award-Winning Film was Shot on C300 Mark II and URSA Mini

From C300 to C500 Mark II: The History of Canon Cinema EOS Cameras

Filmmaker’s Nightmare: Camera Has Been Hacked

Once Upon a Time in Hollywood Proves That Film is (Still) The King

Cinema Cameras Dynamic Range Comparison: “Paycheck Stops” vs.“Gravy Stops”

Cooke Anamorphic/i, ALEXA Mini and Pursuit Systems: The Tools That Made “The Summer of Jeep” Campaign so Cinematic

The Mini-Mags Saga: RED Should Get Back to the Planning Table

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

Blackmagic URSA Mini Pro and ARRI ALEXA Mini: The Optimal On-Set Combination

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