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Recent Posts

The Making of Anyma’s ‘The End of Genesys’ at the Las Vegas Sphere: A Groundbreaking Fusion of Music and Technology 2025-01-30
Blackmagic Introduces the URSA Cine 12K LF Body: Priced at $6,995 2025-01-30
Superman (2025): How They Shot the Flying Scenes and What’s Sparking Debate About Superman’s Face 2025-01-29
John John Florence Receives the RED V-RAPTOR [X] Custom Camera: A True “Red” RED 2025-01-28
ARRI Unveils New ALEXA 35 Entry-Level Model with Flexible Licensing and Affordable Media 2025-01-28
Sony a7 III: The Timeless Full-Frame Workhorse 2025-01-28
Sundance 2025 Cameras: ARRI ALEXA 35 Dominates the Festival Circuit 2025-01-28
Olympus OM-D E-M10 Mark IV: A Retro-Modern Gateway to Content Creation 2025-01-27
FUJIFILM GFX 50S II: The Most Affordable Medium Format Camera on the Market 2025-01-25
Z CAM: The Action Camera Behind Mission: Impossible 7 & 8 Gets a New Upgrade with the E2 Mark II Series 2025-01-24
Canon Develops 410 Megapixel 24K Full-Frame CMOS Sensor 2025-01-23
Panasonic Lumix S5 II Drops to Record Low Price: Is It the Best Time to Buy? 2025-01-23
Own a Full-Frame Mirrorless Camera Under $1,000 on Amazon: The Nikon Z6 2025-01-23
The Wizard of Oz (16K) Sphere Project- Reimagining Cinema with Cutting-Edge Technology 2025-01-22
Christopher Nolan’s “The Odyssey”: A Sequel to “Interstellar”? 2025-01-21
Why the Leica SL2-S is Still a Brilliant Choice in 2025 2025-01-20
Using the Panaspeeds to Get the ‘Film Look’ Out of the Sony VENICE 2025-01-19
Cinematic Awesomeness: URSA Cine 12K LF Paired With Cooke S8/i 2025-01-19
Blackmagic URSA Cine 12K LF Gets Netflix Approval 2025-01-18
Could ARRI Revolutionize Cinema with a Global Shutter 8K Camera Using OnSemi’s XGS 45000 Sensor? 2025-01-17

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