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Recent Posts

DJI Mavic 4 Pro: A Next-Gen Drone That Americans Can’t Buy 2025-05-13
The Camera Strength Chart 2024: What the Industry’s Most Prestigious Festivals Tell Us About Filmmakers’ Gear of Choice 2025-05-13
SXSW 2025 Camera Breakdown: ARRI ALEXA 35 Dominates Festival Filmmaking 2025-05-11
Sony Xperia 1 VII: The Cinematic Smartphone Born from the Alpha 1 2025-05-10
Crowned the Best-Selling DSLR on Amazon: Why the Nikon D850 Still Reigns in the Mirrorless Era 2025-05-08
Trump Declares War on Foreign Films: What His 100% Tariff Threat Means for Hollywood, Indie Filmmakers, and Global Cinema 2025-05-07
The Nikon Z9 Mark II: What to Expect from Nikon’s Next Mirrorless Flagship 2025-05-06
The Nikon D6 is Alive and Kicking — Don’t Bury the DSLR Flagship Just Yet! 2025-05-05
Fujifilm’s Vertical Vision: Unpacking the Patent Behind the Anticipated X-Half Camera and the Digital Rebirth of PROVIA 2025-05-04
Canon’s DSLR Flagship Still Costs More Than the R1. Why? 2025-05-02
ASC+ by the American Society of Cinematographers: A New Educational Resource for Filmmakers 2025-05-01
Nikon Z9 Gets a Major Discount: Is the Z9 Mark II on the Horizon? 2025-04-30
Sony Reportedly Mulls Semiconductor Spinoff—A Tectonic Shift for the Camera Sensor Industry? 2025-04-30
The Technology Behind Interchangeable-Lens Smartphones 2025-04-30
Manufacturing Excellence: What Blackmagic’s New Firmware Update Really Means for the URSA Cine 17K 65 2025-04-29
Another Significant Price Drop: DZOFilm VESPID Primes Become Even More Accessible 2025-04-28
Fujifilm’s Bold Bet: How the X-Half Aims to Reinvent Photography for a New Generation 2025-04-27
Sony a7 IV Drops to $2,000: A Strategic Price Shift in the Mirrorless Market? 2025-04-24
Investigating the Fujifilm X-Half: A New Digital Take on a Classic Format 2025-04-24
Sony FE 50-150mm F2 GM: A Game-Changer for Wedding Filmmakers — or Just Another Luxury Zoom? 2025-04-22

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