Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…
So, should you see the remastered Avatar (2009)? This is definitely a dilemma. We’ve seen it and loved it very much. However, Read our advice before spending on pricey 3D IMAX tickets.…
IMAX has just acquired an artificial intelligence-based company called SSIMWAVE which is a leader in AI-driven video quality solutions for media and entertainment outlets. IMAX emphasizes that this acquisition marks a significant…
The lighting technician of NOPE, Leigh Mierke, has published a pretty rare BTS footage of the IMAX horror masterpiece directed by Jordan Peele. It appears that apart from the ‘Day-for-Night’ solution, the…
Nvidia has announced a new flagship series of its GeForce RTX GPU: 4080 and 4090. These GPUs incorporate a new architecture titled Ada Lovelace and contain dual, eighth-generation AV1 encoders to dramatically…
James Cameron breaks some rules. In the remastered theatrical version of the first Avatar, he applied 48 FPS (Frames Per Second) to some scenes. He has created inter-frames to smooth out some…
There’re times when it makes no sense to use top-notch cinema cameras. For instance, shooting in an ultra harsh environment like CBS’ Survivor. However, you still want it to look cinematic. In…
In an interview with Forbes, the Senior Vice President Head of Post at IMAX Corporation explained the logic behind developing four new IMAX cameras. “They will make for IMAX sequences with a…
In this very educating visualization, the impact of smartphones is well demonstrated. The video shows sales of cameras versus smartphones over the years 1951-2021. It’s short and fascinating. Watch it below. Cameras…
In a recent interview, James Cameron (once again) justifies the necessity of 3D cinematography and says it’s only the beginning of it. Camron expects this complex 3D methodology will be heavily implemented…
Again, a movie about naval fighter planes, and again, minimization of the green screen, and again, utilization of action cinema camera on shooting aerial fighting sequences. But on Devotion, the RED Komodo…
Onsemi has just released a press release regarding the new sensor of the ARRI ALEXA 35. Onsemi declares that it has developed the new ALEV 4 sensor. Onsemi has been developing these…
Cinema PTZ cameras armed with full-frame sensors sound like a legit idea that might be requested as well. However, when analyzing the options and possibilities regarding the utilization of cinema PTZ cameras,…
There’s a new trend in town. Camera manufacturers are sacrificing important capabilities for the sake of 8K. Is trading crucial factors like dynamic range and image quality for more pixels legit? Well,…
Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…
It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema.…
The short film “Get Away” was shot entirely with the Sony FX3. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. The FX3…
Big surprise! The ARRI ALEXA 35 has just been approved by Netflix. The ALEXA 35 is the fourth ARRI camera that is approved to shoot Netflix 4K Originals, together with the ALEXA…
Quietly, and under the radar, Z CAM has introduced the Z CAM E2-F6 Pro Full-Frame Cinema Camera with a 5″ Touchscreen Monitor. Besides the price, which is $4,000, details are barely known.…
Sony has just introduced the VENICE Extension System 2, which increases flexibility with 8K data transmission and extends up to 12 meters away from the camera body. Furthermore, VENICE 2 Version 2.00…
The Hasselblad X2D 100C Medium Format Mirrorless Camera has just been released, presenting some outstanding still features. However, there’s no option for capturing motion. The X2D 100C does not shoot video. Why…
Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with…
Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…