ARRIFLEX Archives - Y.M.Cinema Magazine

The Cameras Behind 97th Academy Awards: Film Wins Digital, Thanks to ARRICAM, ARRIFLEX, and Beaumont VistaVision

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2025-02-20

Discuss

4 mins read

The 97th Academy Awards showcased a fascinating shift in cinematography trends, emphasizing the enduring dominance of film cameras over digital. With the Best Cinematography nominees featuring an array of legendary cameras, it…

The Best Film Cameras for 2024: ARRICAM, ARRIFLEX, and IMAX MSM 9802

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Yossy Mendelovich

2024-12-16

Educate

5 mins read

In the digital age, where cameras and workflows are often dictated by convenience and technological advancements, the allure of shooting on film persists as an enduring art form. For filmmakers passionate about…

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

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Yossy Mendelovich

2024-11-04

Discuss

5 mins read

In the digital age, traditional film cameras still hold a unique place in the hearts of many cinematographers, directors, and filmmakers. Amid the rapid technological advances in digital cinematography, classic film cameras…

The Cameras of TIFF 2024: Super 35 Rules With the ARRI 35 & Mini

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Yossy Mendelovich

2024-10-08

Discuss

7 mins read

Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…

Loading 65mm IMAX Film Into the MSM 9801 Beast

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Yossy Mendelovich

2024-09-17

Educate

1 min read

Have you ever wondered how to load 15 perforation 65mm film into a (real) IMAX camera? We found a cool video that shows you how to do it. Check it out. Loading…

Hear the Sound of IMAX 15/70 Film Cameras

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Yossy Mendelovich

2024-09-03

Educate

2 mins read

IMAX film cameras are noisy. Their design and structure make them almost impossible to utilize in dialogue scenes. However, have you ever heard them on set? These two YouTube videos demonstrate the…

ARRI CPO Blind Auction for an ARRIFLEX 416 Plus HS

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Yossy Mendelovich

2024-06-23

News

1 min read

Now you can submit a bid to try and win an ARRIFLEX 416 Plus HS. The auction is held by the ARRI CPO (Certified Pre-Owned) program. The starting price is 18,000 EUR.…

ALEXA 35 is the Dominant ARRI Among Cannes 2024 Cinematographers

ALEXA 35 is the Dominant ARRI Camera Among Cannes 2024 Cinematographers

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Yossy Mendelovich

2024-05-20

Discuss

2 mins read

Haha…ARRI learned from us and created a camera chart of the ARRI cameras that were used to shoot Cannes 2024 films. According to the chart, the new ALEXA 35 is booming. In…

Twisters: Shot for IMAX on the Panavision XL2 and ARRIFLEX cameras

Twisters IMAX Trailer Released: Shot on Film

by

Yossy Mendelovich

2024-02-14

News

2 mins read

IMAX has just released the Twisters (1996 Twister’s sequel) trailer, and it looks awesome. The Twisters movie was shot by legendary Dan Mindel ASC, BSC, SASC purely on film (ARRIFLEX 435, ARRIFLEX…

The Camera Behind “The Shining”: ARRIFLEX 35 BL and Steadicam Techniques

by

Yossy Mendelovich

2023-12-16

Educate

4 mins read

The ARRIFLEX 35 BL helped to revolutionize filmmaking. “The Shining” director and crazy genius, Stanley Kubrick, utilized this camera together with new Steadicam techniques, to bring this outdenting psychological horror to the…

ARRIFLEX

The Cameras Behind 97th Academy Awards: Film Wins Digital, Thanks to ARRICAM, ARRIFLEX, and Beaumont VistaVision

The Best Film Cameras for 2024: ARRICAM, ARRIFLEX, and IMAX MSM 9802

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

The Cameras of TIFF 2024: Super 35 Rules With the ARRI 35 & Mini

Loading 65mm IMAX Film Into the MSM 9801 Beast

Hear the Sound of IMAX 15/70 Film Cameras

ARRI CPO Blind Auction for an ARRIFLEX 416 Plus HS

ALEXA 35 is the Dominant ARRI Camera Among Cannes 2024 Cinematographers

Twisters IMAX Trailer Released: Shot on Film

The Camera Behind “The Shining”: ARRIFLEX 35 BL and Steadicam Techniques

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