Apple has published the list of cameras and their codecs which are supported by the Final Cut Pro for iPad app. It seems that the iPad version of FCP is limited to…
ARRI Rental announces a new fleet of exclusive black-and-white cameras: The ALEXA 65 Monochrome for 65 mm capture, the ALEXA XT Monochrome for Super 35, and the ALEXA Mini LF Monochrome for…
What’s it like to edit a project that has been selected by Sundance? EMERGENCY is a film that is part of the 2022 Sundance Film Festival Satellite Screen program. Y.M.Cinema Magazine has…
ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size,…
ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…
Another very educational episode of ARRI Tech Talk has been published. This time the session focused on the CODEX HDE technology and implementations, that are being used to reduce those heavy ARRIRAW…
Good news for ARRI Mini and AMIRA shooters. Their cameras are now HDE compatible and can be licensed to enable the CODEX High-Density Encoding technology through Device Manager for their ARRIRAW workflows.…
RED has released a video which demonstrates the efficiency of its codec, the REDCODE. The video links to a user-friendly explanation on RED’s website showing the main benefits of using REDCODE compared…
Once upon a time, there was film stock. The definitions of Data Rate, Data Consumption, Bit Rate, Mb/sec and MB/min were relevant only for computer geeks. Nowadays, it seems that the geeks…
Although there are numerous comparisons between those two workhorses, here you have two that worth watching. The ARRI Mini VS C200 comparison was not planned for benchmark testing, but to a real-world…