cinema lenses Archives - Page 3 of 5

The Premista 19-45mm on the ARRI Trinity

Meet the new Large-Format Cinema Zoom: FUJINON Premista 19-45mm T2.9

by

2020-09-07

News

2 mins read

FUJIFILM has announced the development of the FUJINON Premista 19-45mm T2.9 lightweight wide cinema zoom lens (“Premista 19-45mm”) for large format sensor cameras. This lens will join the prestige Premista family of…

Sony Publishes the VENICE Remote Operation Cinematography Guide

by

Yossy Mendelovich

2020-08-20

Educate

3 mins read

Sony has released a new guide titled “VENICE Remote Operation Cinematography Guide” which focuses on the new era of social distancing in film productions. Pandemic aside, this guide constitutes a useful piece…

The Vazen 85mm T2.8 1.8X on the ARRI Mini LF

Meet a new Anamorphic Lens for Full-Frame Cameras: The Vazen 85mm T2.8 1.8X

by

Yossy Mendelovich

2020-08-18

News

3 mins read

A new anamorphic lens for full-frame cameras has been introduced by Vazen. The 85mm T2.8 1.8X for PL/EF mounts is another affordable anamorphic glass that will allow you to catch those flares…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

by

Yossy Mendelovich

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

The Laowa OOOM 25- 100mm T2.9 cine-zoom on a gimbal

Venus Optics Wants to Break the Cine-Zoom Market With its new Laowa OOOM 25- 100mm T2.9 lens

by

Yossy Mendelovich

2020-08-12

News

3 mins read

Venus Optics announces the shipping and pricing of the Laowa OOOM 25- 100mm T2.9 cine lens interchangeable PL/EF/E mount. This absolutely great piece of glass might be your best investment in cine-zooms.…

Venus Optics Presents 3 new Compact, Zero-Distorted, and Affordable Ultra Wide Cine Lenses

by

Yossy Mendelovich

2020-06-22

News

3 mins read

Venus Optics unveiled 3 new ultra-wide cine lenses (7.5mm, 9mm, and 15mm) for Micro Four Thirds, Super 35, and Full-frame cinema cameras respectively. The main characteristics are Compact size, zero-distortion, and affordability.…

Irix 15mm Cine Lens Announced: An Affordable Wide-Angle Full-Frame Cinema Glass

by

Yossy Mendelovich

2020-05-27

News

2 mins read

Today Irix premieres its fast, filter-ready wide-angle cine lens, the Irix Cine 15mm T2.6. This 15mm is a new member of the Irix’s affordable cinema lenses family which now includes an 11mm…

Shooting The Dark Crystal. Cinematographer Erik Wilson. Picture credit: Kevin Baker, Netflix

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

by

Yossy Mendelovich

2020-03-12

Educate

4 mins read

In order to get the majestic imagery of Netflix’s Dark Crystal, a unique combination of the Cooke Anamorphic glass with specially made RED Dragon was used. Cinematographer Erik Wilson explains the creation…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

by

Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

by

Yossy Mendelovich

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

cinema lenses - Page 3

Meet the new Large-Format Cinema Zoom: FUJINON Premista 19-45mm T2.9

Sony Publishes the VENICE Remote Operation Cinematography Guide

Meet a new Anamorphic Lens for Full-Frame Cameras: The Vazen 85mm T2.8 1.8X

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

Venus Optics Wants to Break the Cine-Zoom Market With its new Laowa OOOM 25- 100mm T2.9 lens

Venus Optics Presents 3 new Compact, Zero-Distorted, and Affordable Ultra Wide Cine Lenses

Irix 15mm Cine Lens Announced: An Affordable Wide-Angle Full-Frame Cinema Glass

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!