cinematography Archives - Page 19 of 23

Selma – an adventure from the edge of the world. Extreme filmmaking

Extreme Adventure Filmmaking: Shooting in the Antarctic Inside a Yacht

by

2020-10-01

Educate

13 mins read

“Selma” is a mega documentary project shot and directed by adventure filmmaker Maciek Jablonski. The film which has won several awards is also can be considered as a solid reference for how…

Roger Deakins interviews Hoyte van Hoytema

Team Deakins Interviews Cinematographer Hoyte van Hoytema

by

YMCinema

2020-09-13

Discuss

3 mins read

Here’s another fascinating filmmaking discussion by Team Deakins, this time with acclaimed cinematographer Hoyte van Hoytema, which is known as the cinematographic weapon of choice of Christopher Nolan. The conversation circulates around…

Locke cinematography: RED Epic and Panavision Anamorphic

LOCKE: One-Actor Cinematography and Single-Take Shooting Style

by

YMCinema

2020-09-08

Educate

2 mins read

Yesterday I watched the film Locke (2013) for the first time. I was amazed and blown away by its out-of-the-box concept and cinematographic execution. Building tension and telling a story based on…

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

by

YMCinema

2020-09-03

News

2 mins read

The new Sony FX6 cinema camera will be released and shipped by the end of 2020. The FX6 4K will join the newly announced Cinema Line which includes full-frame cameras like the…

BTS of DP Roger Deakins, Charlie Rizek and the ARRI Trinity in 1917. Picture: Francois Duhamel. Universal Pictures

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

by

YMCinema

2020-09-01

Educate

3 mins read

An educational gem was found. On this podcast, cinematographer Roger Deakins and his wife, James, discuss with Trinity operator Charlie Rizek about the camera movements behind 1917, and how the ARRI Trinity…

Sony Publishes the VENICE Remote Operation Cinematography Guide

by

YMCinema

2020-08-20

Educate

3 mins read

Sony has released a new guide titled “VENICE Remote Operation Cinematography Guide” which focuses on the new era of social distancing in film productions. Pandemic aside, this guide constitutes a useful piece…

The Vazen 85mm T2.8 1.8X on the ARRI Mini LF

Meet a new Anamorphic Lens for Full-Frame Cameras: The Vazen 85mm T2.8 1.8X

by

YMCinema

2020-08-18

News

3 mins read

A new anamorphic lens for full-frame cameras has been introduced by Vazen. The 85mm T2.8 1.8X for PL/EF mounts is another affordable anamorphic glass that will allow you to catch those flares…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

by

YMCinema

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

Westworld: The comeback of the film cameras

Westworld was Shot on 20 Years-Old Film Cameras: A Reference for the Supremacy of Celluloid

by

YMCinema

2020-08-10

Discuss

3 mins read

The Emmy 2020 nominee for Outstanding Cinematography, Westworld, was shot mostly on film by DP Paul Cameron, ASC. The cameras were ARRICAM Lite and Studio, combined with Sony VENICE for wide-night shots.…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

YMCinema

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

cinematography - Page 19

Extreme Adventure Filmmaking: Shooting in the Antarctic Inside a Yacht

Team Deakins Interviews Cinematographer Hoyte van Hoytema

LOCKE: One-Actor Cinematography and Single-Take Shooting Style

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

Sony Publishes the VENICE Remote Operation Cinematography Guide

Meet a new Anamorphic Lens for Full-Frame Cameras: The Vazen 85mm T2.8 1.8X

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

Westworld was Shot on 20 Years-Old Film Cameras: A Reference for the Supremacy of Celluloid

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

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