cinematography Archives - Page 20 of 23

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

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2020-07-30

Educate

2 mins read

As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…

The Flying Pictures ULTRA drone with the ARRI 435 film camera and Cooke lens

Meet ULTRA by Flying Pictures: A Heavy Lift Drone With a Payload of 60Kg

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YMCinema

2020-07-20

Educate

2 mins read

Flying Pictures has introduced its “Cinematography’s Most Powerful Drone” called ULTRA. This heavy-lift drone is capable of a maximum payload capacity of up to 60kg/132lbs and a Maximum Take-Off Mass of 110kg/243lbs.…

Wings (1927): An Action Cinematography pioneer

Wings (1927) Laid the Groundwork for Action Cinematography

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YMCinema

2020-06-26

Educate

3 mins read

A Reddit’s thread from 3 days ago reminded us of one of the pioneers regarding action cinematography, which is Wings from 1927. Check out one of the very first dolly shots, which…

ARRI Releases Signature Prime SUP 2.1

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YMCinema

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

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YMCinema

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

MZed course: Illumination Cinematography Workshop by Shane Hurlbut ASC

Shane Hurlbut’s Illumination Cinematography Workshop: Course Review

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YMCinema

2020-05-11

Educate

6 mins read

The Illumination Cinematography Workshop is an immersive instructive course by Shane Hurlbut ASC on the MZed educational platform for creators. Although this course isn’t new (3 years old), we’ve eagerly listened and…

Director Sam Hargrave on the set of Extraction. Operating the RED Monstro. Picture: Ars Video

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

by

YMCinema

2020-05-06

Discuss

4 mins read

The single-take action sequence (chase scene) in Netflix’s Extraction, lasts exactly 11 minutes and 29 seconds that are built from 36 different stitches (segments). The film director, Sam Hargrave explains how they…

MZed course: Vincent Laforet's Directing Motion

MZed Review: Vincent Laforet’s Directing Motion

by

YMCinema

2020-04-14

Educate

5 mins read

We can start by concluding that Vincent Laforet’s Directing Motion, is one of the most practical courses on MZed. Be prepared to learn the secrets on how to create the correct motion…

Martin Scorsese with Rodrigo Prieto (DP) in The Irishman. Credit: Niko Tavernise – Netflix

MasterClass Review: Martin Scorsese Teaches Filmmaking

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YMCinema

2020-04-12

Educate

5 mins read

The well-crafted course Martin Scorsese Teaches Filmmaking is another course by MasterClass. However, the term discussion is much more appropriate here as this MasterClass is about the philosophy of moviemaking. It’ll make…

Michael Bay with RED Helium 8K Bayhem on 6 Underground set

6 Underground Cinematography: An Orchestra of Cameras Conducted by Michael Bay

by

YMCinema

2020-03-25

Discuss

2 mins read

Netflix’s 6 Underground action sequences were composed of an orchestra of 10 cameras rolling at once. All of that goodness was directed by Michael Bay. You’ll be surprised about the diversity of…

cinematography - Page 20

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

Meet ULTRA by Flying Pictures: A Heavy Lift Drone With a Payload of 60Kg

Wings (1927) Laid the Groundwork for Action Cinematography

ARRI Releases Signature Prime SUP 2.1

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

Shane Hurlbut’s Illumination Cinematography Workshop: Course Review

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

MZed Review: Vincent Laforet’s Directing Motion

MasterClass Review: Martin Scorsese Teaches Filmmaking

6 Underground Cinematography: An Orchestra of Cameras Conducted by Michael Bay

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