cinematography Archives - Page 7 of 23

This is the Camera That Shot Avatar 2

by

2022-05-12

Educate

2 mins read

Avatar 2 was shot in unconventional cinematographic methodologies. The camera is the Sony VENICE rigged to a specially made 3D stereoscopic beam splitter system, utilizing the Rialto extension unit. The system is…

Clairmont ISCO 140-420mm T2.7. Picture: Cole Cyccone

This Super Cool Full-Frame Cinema Zoom Lens Is For Sale

by

YMCinema

2022-05-06

Footnote

3 mins read

Explore this neat piece of glass, Clairmont ISCO 140-420mm T2.7 PL full-frame lens that is for sale. We found it on the JUST CINEMA LENSES FB group and have decided to share…

Top Gun: Maverick’s Cockpit Shots Were Captured in 4K. Is it Still Worth Watching on IMAX?

by

YMCinema

2022-05-03

Discuss

3 mins read

Nerdy stuff ahead. The cameras located inside the cockpit in Top Gun: Maverick, captured a relatively inferior format compared to the rest of the film. That format is called XAVC Class 480…

Shooting a Formula 1 Car: Combination of DSMC2, DSMC3, FPV Drone, and Russian Arm

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

by

YMCinema

2022-04-22

Educate

3 mins read

Let’s suppose you want to shoot a super epic and super-fast Formula 1 (F1) car during a race inside a city. Which tools should you choose for the job? A Russian Arm…

Tom Cruise Taught Actors How To Operate Sony VENICE Cameras Inside Fighter Jets in Top Gun: Maverick

by

YMCinema

2022-04-15

Discuss

4 mins read

Here is a very interesting fact about Top Gun: Maverick. It appears that due to Tom Cruise’s instructions, no CGI effects were utilized, and all the crazy aerial shots are real. The…

Large Format Cinematography: The New Standard?

Large Format Cinematography as the New Standard. Obsolescence of S35?

by

YMCinema

2022-03-30

Discuss

4 mins read

The DCS (Digital Cinema Society) has released another great episode called “DCS Large Sensor Cinematography”. The section tries to address the benefits, aesthetic and technical differences, as well as the challenges of…

Kinefinity Continues to Rock With its new MAVO Edge 6K Cinema Camera

by

YMCinema

2022-03-29

News

7 mins read

Kinefinity has just introduced its new sub-flagship, the MAVO Edge 6K, which is a full-frame 6K cinema camera. The Edge 6K is based on its bigger sister (Edge 8K) but a bit…

Cooke Optics Aims for FF Cinematography With its New S8/i Lenses

by

YMCinema

2022-03-24

News

3 mins read

Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven lenses for full-frame production with an all-spherical design and T1.4 throughout, these currently include 25mm, 32mm, 40mm,…

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

by

YMCinema

2022-03-17

Educate

4 mins read

Here’s a reference for cinematic broadcasting with all its glory. The 2022 Super Bowl Halftime Show was shot with an array of 12 Sony VENICE 6K full-frame cameras that were paired with…

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

by

YMCinema

2022-03-14

Educate

2 mins read

Have you watched Netflix’s “Inventing Anna” yet? This well-crafted (from an imagery perspective) was shot on the Sony VENICE by four cinematographers. That (essential) filming strategy, has contributed to the flexibility of…

cinematography - Page 7

This is the Camera That Shot Avatar 2

This Super Cool Full-Frame Cinema Zoom Lens Is For Sale

Top Gun: Maverick’s Cockpit Shots Were Captured in 4K. Is it Still Worth Watching on IMAX?

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

Tom Cruise Taught Actors How To Operate Sony VENICE Cameras Inside Fighter Jets in Top Gun: Maverick

Large Format Cinematography as the New Standard. Obsolescence of S35?

Kinefinity Continues to Rock With its new MAVO Edge 6K Cinema Camera

Cooke Optics Aims for FF Cinematography With its New S8/i Lenses

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

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