cooke Archives - Page 4 of 4 - Y.M.Cinema Magazine

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

by

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

by

Yossy Mendelovich

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

RED Helium and Cooke miniS4/i on Seven Worlds, One Planet. DP: Mark MacEwen

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

by

Yossy Mendelovich

2019-12-23

Educate

6 mins read

We’re lucky enough to get a glimpse into a wildlife cinematography work. In this case-study, Seven Worlds, One Planet cinematographer Mark MacEwen gives us some essential tips on how to capture the…

Major Lens manufacturers behind 2019’s top films

Pre-Oscar Lenses Chart: ARRI, Cooke, Angenieux and a lot of Panavision

by

Yossy Mendelovich

2019-12-11

Discuss

3 mins read

The tradition goes on. After the Pre-Oscar Camera Chart, now is the time to explore the glass. So we have created a simplified chart of the lenses used to shoot 2019’s top…

Cinematographer Si Bell and director Anthony Byrne on Peaky Blinders Season 5 set

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

by

Yossy Mendelovich

2019-11-11

Discuss

3 mins read

After four seasons shooting with the ALEXA and spherical lenses, cinematographer Si Bell and director Anthony Byrne wanted a change. Thus moving to Cooke Anamorphic Primes paired with the RED MONSTRO seemed…

ALEXA Mini paired with the Cooke 35-140mm Anamorphic/i

Cooke Anamorphic/i, ALEXA Mini and Pursuit Systems: The Tools That Made “The Summer of Jeep” Campaign so Cinematic

by

Yossy Mendelovich

2019-07-25

Educate

4 mins read

Cinematographer Jordan Levy shares with us the process of making the new “The Summer of Jeep” campaign starring Jeremy Renner. Jordan combined some super sexy tools, like the Cooke 35-140mm Anamorphic/i zoom,…

Cinematographer Martin Ruhe and George Clooney on Catch 22 set

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

by

Yossy Mendelovich

2019-06-30

Educate

4 mins read

The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…

Cooke Presents ShotOnCooke: An Online Video Search Engine Based on Cooke’s Glass

by

Yossy Mendelovich

2019-05-29

News

3 mins read

Ahead of Cine Gear Expo 2019, Cooke presents its new website, shotoncooke.com, which grants filmmakers new and unique online resource of real-world examples of projects shot with the various Cooke lens families. Check…

Oscar 2019 Lenses: Cooke, Kowa, Angenieux, Arri, Zeiss, Leica and Panavision

by

Yossy Mendelovich

2019-02-22

Educate

1 min read

A few days ago, we wrote about the cameras used to shot the Oscar 2019 films nominated for Best Picture and Cinematography. The article was a great success. A lot of our…

Cooke Optics Unveils new 1.8X Anamorphic Lenses for Large Format Cameras

by

Yossy Mendelovich

2018-09-10

News

1 min read

Cooke Optics announces new anamorphic lenses for large format cameras. The first will be 50 mm, 2.3 T-stop with a 1.8 squeeze. Can’t wait for IBC 2018? read more below! The strong…

cooke - Page 4

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

Wildlife Cinematography: Capturing the Power of Nature With RED and Cooke

Pre-Oscar Lenses Chart: ARRI, Cooke, Angenieux and a lot of Panavision

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

Cooke Anamorphic/i, ALEXA Mini and Pursuit Systems: The Tools That Made “The Summer of Jeep” Campaign so Cinematic

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

Cooke Presents ShotOnCooke: An Online Video Search Engine Based on Cooke’s Glass

Oscar 2019 Lenses: Cooke, Kowa, Angenieux, Arri, Zeiss, Leica and Panavision

Cooke Optics Unveils new 1.8X Anamorphic Lenses for Large Format Cameras

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