The third chapter of Dune finally puts celluloid at the center. A new cinematographer who loves film is in. IMAX sequences are planned. The result could be the most beautiful trip to…
Here’s a piece of inspiration for all female (and male) cinematographers. The ASC welcomes DP Katelin Arizmendi as its new member. Read Arizmendi’s story —from camera assistant to ASC cinematographer. Katelin Arizmendi…
IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, it’s a tiny and reduced…
Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…
Ridley Scott’s ‘Napoleon’ has become the anticipated movie of the year. The film stars Oscar-winner Joaquin Phoenix and was shot by the legendary cinematographer and Ridley’s cinematic partner, Dariusz Adam Wolski. The…
There’s technical cinematography debate regarding the camera that shot Dune Part Two. Some shreds of evidence indicate that Dune 2 was shot entirely on IMAX film cameras (Filmed with IMAX), and others…