Former Senior Director of Global Innovation at Adobe, Micael Cioni, elaborated on the future of AI filmmaking as he sees it. According to Cioni, the process is inevitable, as AI image generators…
Another day, another marketing boost for Nolan’s IMAX greatness —Oppenheimer. This time, the video published by Universal Pictures sheds a bit more light on the making and what we can expect from…
As IndieWire has published its great camera survey regarding Cannes Film Festival 2023, we analyzed the data to reveal that the ARRI ALEXA Mini is still the king of kings. This is…
An educational gem was discovered in the World Wide Web. We found The 15/70 Filmmaker’s Manual written in 1999. However, many of its topics are super relevant today and essential for those…
In this episode, we interviewed cinematographer and director John De Menil. John shares with us his insights about storytelling, making it into major film festivals, how to choose the right cameras and…
“Story Comes First” is the main mantra of cinematographer Thomas Revington. Thomas believes that camera gear is not everything, and a solid concept, collaborative crew, and understanding of the director, are much…
Chalga is a Bulgarian feature film that is being successfully screened all over the country overcoming hits like Creed 3 and Shaza 2. The movie was shot entirely on the Samsung Galaxy…
Here’re the charts and segmentations of the cameras that shot the Sundance 2023’s documentary films. It proves once again that documentary filmmakers use different tools as compared to their narrative colleagues. Not…
From forest conservator to cinematography, Diego Perez Romero made a long way till a film he shot was selected by the Sundance Film Festival 2023. In this interview, Romero elaborates on the…
Adobe has launched ‘Camera to Cloud’ (Beta) for RED V-Raptor cameras, which means you can shoot 8K RAW straight to the cloud with no additional hardware. The only limitation is that a…