Komodo Archives - Y.M.Cinema Magazine

RED Launches a New Eyepiece

by

2024-09-06

News

1 min read

RED Digital Cinema introduces the Denz Premium Optics Eyepiece for the RED Compact EVF. This is an add-on sitting on your EVF and significantly improves the viewfinder. It’s not cheap though. This…

RED Drops Prices of its Komodo Cinema Cameras

by

Yossy Mendelovich

2024-09-03

News

1 min read

BREAKING: RED Digital Cinema has just started a stock sale of its Komodo and Komodo-X. As stated by RED.COM: “All-new pricing for KOMODO-X and KOMODO. Unlock exceptional cinema quality, global shutter, and…

Nikon is Ready to Develop a Cinema Camera

by

Yossy Mendelovich

2024-08-15

Discuss

2 mins read

Japan’s Nikon Corp President has stated that the company is ready to expand its market share by entering the cinema world with a new high-end camera developed derived from the RED Digital…

Superman: Shot on RED Digital Cinema by Henry Braham

by

Yossy Mendelovich

2024-07-18

Educate

2 mins read

BTS (Behind the Scenes) footage of the upcoming 2025 Superman revealed the tools used to shoot the movie. First, this is not a ‘Filmed in IMAX’ movie, as the cameras are digital.…

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

by

Yossy Mendelovich

2024-06-03

Educate

2 mins read

Furiosa A Mad Max Saga is a mega-budget project directed by George Miller (79) and shot for the IMAX by cinematographer Simon Duggan ASC, ACS on a combination of ARRI ALEXA 65,…

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

by

Yossy Mendelovich

2024-01-17

Discuss

5 mins read

Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…

Meet Cybertron: The FPV Drone Behind Transformers 7

by

Yossy Mendelovich

2023-12-25

Educate

3 mins read

Telling the truth, this info surprised us. We thought that the recent Transformers 7 movie (Rise of the Bests) was shot on the ALEXA Mini LF, but it appears that the RED…

Extraction 2: The Camera Behind the Insane 22-Minutes Oner

by

Yossy Mendelovich

2023-06-18

Discuss

2 mins read

It appears that we’re right. The camera responsible for the crazy impressive 22-minute oner in Extraction 2, is the RED Digital Cinema Komodo. The implementation of the oner was possible due to…

RED DSMC3 Face Detect AutoFocus

by

Yossy Mendelovich

2022-10-20

Discuss

2 mins read

The recent update to the RED Control app reveals RED’s plan to sharpen the AF capabilities of the DSMC3 cameras (Raptor and Komodo). Although this feature is only active in the app…

Shooting a Formula 1 Car: Combination of DSMC2, DSMC3, FPV Drone, and Russian Arm

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

by

Yossy Mendelovich

2022-04-22

Educate

3 mins read

Let’s suppose you want to shoot a super epic and super-fast Formula 1 (F1) car during a race inside a city. Which tools should you choose for the job? A Russian Arm…

Komodo

RED Launches a New Eyepiece

RED Drops Prices of its Komodo Cinema Cameras

Nikon is Ready to Develop a Cinema Camera

Superman: Shot on RED Digital Cinema by Henry Braham

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

Meet Cybertron: The FPV Drone Behind Transformers 7

Extraction 2: The Camera Behind the Insane 22-Minutes Oner

RED DSMC3 Face Detect AutoFocus

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

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