Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…
It appears that Oppenheimer was shot on specially modified fast Panavision Sphero and System 65 lenses. Even more interestingly, a dedicated snorkel lens was made for the IMAX cameras, to capture extreme…
The official Oppenheimer website has published a guide titled “OPPENHEIMER PREMIUM LARGE FORMATS”, which summarizes the best options and movie theaters’ technologies to watch the film. Explore it below. Oppenheimer Premium Large…
As IndieWire has published its great camera survey regarding Cannes Film Festival 2023, we analyzed the data to reveal that the ARRI ALEXA Mini is still the king of kings. This is…
An educational gem was discovered in the World Wide Web. We found The 15/70 Filmmaker’s Manual written in 1999. However, many of its topics are super relevant today and essential for those…
Amazon Studios and ARRI have collaborated on an exclusive, in-depth video featurette about “The Lord of the Rings: The Rings of Power,” analyzing the technological orchestra of large format cinematography, VFX, lighting,…
The cinematography uniqueness of the 4th John Wick as compared to the rest of the chapters is the fact that it was ‘Filmed for IMAX’ on large format cameras and lenses. DP…
Yesterday, Sony launched a new camera designed for vloggers — the ZV-E1. Besides the excellent tech stuff, the ZV-E1 is armed with a full-frame sensor, to make the vlog more cinematic. ‘Cinematic…
Fujifilm today announced the availability of its new flagship FUJINON Duvo HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000”). The lens was designed to deliver extremely high zoom capabilities which are…
ARRI has announced the new SUP 7.2 for the ALEXA Mini LF, and it emphasizes that this ‘large format flagship’ will continue to improve with additional updates during 2023. One of the…