lenses Archives - Page 9 of 18 - Y.M.Cinema Magazine

Viltrox Teases Prime Cine Full Frame 1.33X Anamorphic Lenses

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2022-08-29

News

1 min read

Viltrox has just published a few photos on its Instagram page, showing (teasing) its new affordable anamorphic glass. According to the pictures, that would be a series of Cine Prime Full Frame…

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

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YMCinema

2022-08-25

Educate

3 mins read

In continues to our previous article “Shooting Anamorphic on Vertical Sensor”, this time, cinematographer Michael Della Polla shares with us his ‘vertical anamorphic’ knowledge when shooting with the Z CAM S6 and…

The Main Components of Cinema Camera Rig

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YMCinema

2022-08-18

Educate

3 mins read

Have you wondered why the cinema camera’s rig looks so sexy and intimidating? Luckily, CVP has released a video that explains it all. Read below how main components like camera, monitoring devices,…

Shooting Anamorphic on Vertical Sensor

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YMCinema

2022-08-17

Educate

4 mins read

Vertical anamorphic is a unique and fascinating shooting method, that may grant you stunning results. However, have you considered turning your camera sideway to the anamorphic lens? Well, Berlin-based cinematographer Janis Brod…

Atlas Teases the Mercury Series Anamorphic Lenses

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YMCinema

2022-08-16

News

1 min read

Atlas has shared a teaser regarding its new lens series titled Mercury. The official introduction is set for the beginning of September. Although the teaser is not revealing much, we think we…

Zack Snyder Goes (again) Wide-Open With a Bespoke Summiscope Anamorphic Paired with RED V-Raptor XL

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YMCinema

2022-08-01

News

3 mins read

Yeah, he likes to shoot wide-open, and with a very special glass. Netflix’s Rebel Moon directed (and shot) by Zack Snyder will have a very distinctive look. Zack uses a specially made…

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

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YMCinema

2022-07-24

Educate

2 mins read

Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…

Meet the MiniHawks Lenses: Spherical Glass With Some (Beautiful) Oval Bokeh

Meet the MiniHawk Lenses: Spherical Glass With Some (Beautiful) Oval Bokeh

by

YMCinema

2022-07-22

Educate

2 mins read

The ‘Anamorphic on a Budget’ YT channel has published a fascinating video about the ‘hybrid anamorphic look’ that can be achieved by lenses called MiniHawk – made by Vantage. For those who…

ELVIS: Shot by Cinematographer Mandy Walker on Panavision “Elvis” Lenses

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YMCinema

2022-07-05

Educate

2 mins read

Mandy Walker ACS ASC has shot the biographical musical masterpiece —ELVIS, on a specially made Panavision glass titled “Elvis” Lenses. As opposed to modern lenses, the ‘Elvis’ is less sharp, and with…

The GREAT JOY 50mm T2.9 1.8x full-frame anamorphic lens on the Blackmagic Pocket Cinema Camera. Picture: Of Two Lands

GREAT JOY+ BMPCC 6K: An Affordable Yet Beautiful Anamorphic Setup

by

YMCinema

2022-06-14

Discuss

3 mins read

An affordable anamorphic setup is tricky. Yet here you got an example of a super affordable (but professional) setup for beautiful anamorphic imagery. This combo of GREAT JOY plus BMPCC 6K can…

lenses - Page 9

Viltrox Teases Prime Cine Full Frame 1.33X Anamorphic Lenses

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

The Main Components of Cinema Camera Rig

Shooting Anamorphic on Vertical Sensor

Atlas Teases the Mercury Series Anamorphic Lenses

Zack Snyder Goes (again) Wide-Open With a Bespoke Summiscope Anamorphic Paired with RED V-Raptor XL

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

Meet the MiniHawk Lenses: Spherical Glass With Some (Beautiful) Oval Bokeh

ELVIS: Shot by Cinematographer Mandy Walker on Panavision “Elvis” Lenses

GREAT JOY+ BMPCC 6K: An Affordable Yet Beautiful Anamorphic Setup

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