Netflix Archives - Page 3 of 7 - Y.M.Cinema Magazine

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

by

2022-03-14

Educate

2 mins read

Have you watched Netflix’s “Inventing Anna” yet? This well-crafted (from an imagery perspective) was shot on the Sony VENICE by four cinematographers. That (essential) filming strategy, has contributed to the flexibility of…

Panasonic LUMIX BS1H is Netflix Approved

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Yossy Mendelovich

2022-03-14

News

1 min read

Netflix has just approved the Panasonic LUMIX BS1H box-cinema camera for its original productions. The BS1H is the 8th Panasonic camera being approved by Netflix. What about the others? LUMIX BS1H: Netflix…

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

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Yossy Mendelovich

2022-02-06

Educate

4 mins read

The cinematography behind the new cool Netflix action series ‘In From The Cold’ can constitute a reference of smart lens utilization for getting the correct images. The series was shot on Sony…

Netflix Demonstrates the Importance of Aspect Ratio in Storytelling

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Yossy Mendelovich

2022-01-12

Educate

2 mins read

A new educational video has been published by Netflix. This time, the video demonstrates the importance of aspect ratio in storytelling, and why it matters to plan carefully this factor as a…

Is Panasonic Abandoning its Cinema Camera Lineup (VariCam and EVA1)?

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Yossy Mendelovich

2021-12-06

Discuss

6 mins read

The EVA1 and the flagship VariCam are defined as Panasonic’s Cinema Camera lineup. These cinema cameras have been extensively used by filmmakers, including in high-end productions (Netflix, Hollywood, etc). However, Panasonic has…

Kinefinity MAVO Edge. Picture by Kinefinity

Kinefinity MAVO Edge 8K Cinema Camera is now on B&H, and That’s Great!

by

Yossy Mendelovich

2021-12-05

News

2 mins read

The Kinefinity flagship, MAVO Edge 8K Cinema Camera can now be preordered on the B&H website. That constitutes a stamp/proof that Kinefinity slowly but surely is being excepted in the US as…

IMAX Enhanced: Get More Picture Instead of Black Bars

by

Yossy Mendelovich

2021-11-17

Educate

4 mins read

DisneyPlus Allows its users to view certain films in IMAX’s aspect ratio. That means, films that were shot for the IMAX, and with IMAX cameras, can be viewed in 1:90:1 ratio (=…

Watch: All FPV RED Komodo Drone Sequences in RED Notice. Drone setup: Dirty Dishes Productions Ltd

Watch: ALL Red Notice FPV drone sequences

by

Yossy Mendelovich

2021-11-14

Educate

2 mins read

FPV drone specialist Johnny Schaer (Johnny FPV) has published a video that shows all the FPV (First Point View) drone footage of Red Notice. The drone was built especially for the film,…

BTS of The Surgeon's Cut. Picture: RED Digital Cinema

Shooting in an Operating Theater With Cinema Cameras and Lenses

by

Yossy Mendelovich

2021-10-01

Educate

3 mins read

Netflix’s cinematic documentary, ‘The Surgeon’s Cut’ has won a well-deserved Emmy in the category of Outstanding Science and Technology Documentary. This four-chapter series demonstrates some new and intriguing filming techniques. Instead of…

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

by

Yossy Mendelovich

2021-09-20

Educate

4 mins read

Since the second season of Netflix’s ‘Into the Night’ was premiered a few days ago, we’d like to take this opportunity to talk about the making. The second season was shot by…

Netflix - Page 3

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

Panasonic LUMIX BS1H is Netflix Approved

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

Netflix Demonstrates the Importance of Aspect Ratio in Storytelling

Is Panasonic Abandoning its Cinema Camera Lineup (VariCam and EVA1)?

Kinefinity MAVO Edge 8K Cinema Camera is now on B&H, and That’s Great!

IMAX Enhanced: Get More Picture Instead of Black Bars

Watch: ALL Red Notice FPV drone sequences

Shooting in an Operating Theater With Cinema Cameras and Lenses

Netflix’s ‘Into the Night’: Low-Light Cinematography Led by DP Magdalena Gorka

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