Oscar Archives - Page 2 of 3 - Y.M.Cinema Magazine

The Cameras Behind Oscar 2021: Film vs. Digital

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2020-12-07

Discuss

3 mins read

As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

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Yossy Mendelovich

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

Oscar 2021 Might be Postponed, and New Rules of Eligibility Announced

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Yossy Mendelovich

2020-05-21

News

3 mins read

The 93rd Academy Awards (Oscar 2021) might be postponed due to the COVID-19 impact on the industry. Furthermore, the Academy’s Board of Governors has modified the rules and eligibility for the film…

Steven Spielberg films a POV shot for E.T. Picture credit: Tribeca Film Festival FB

Tribeca and YouTube Announce “We Are One”: An Online International Film Festival

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Yossy Mendelovich

2020-04-30

News

5 mins read

Tribeca and Youtube have partnered to initiate “We Are One” which is an online stage for film festivals across the world. This international film festival will run from May 29 to June…

IMAX MSM 9802 65mm camera. Photo by Matthew Williams

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

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Yossy Mendelovich

2020-03-03

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4 mins read

There is no doubt that film cameras made a comeback, as more directors see the film stock as their weapon of choice regarding the best imagery that can be achieved. Moreover, in…

Joaquin Phoenix in Joker. Credit: Todd Phillips

Oscar 2020’s Best Picture Nominees Figures: Budget, Crew, Production, and Post

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Yossy Mendelovich

2020-02-12

Compare

2 mins read

Have you ever wondered what the numbers behind the fascinating film of Oscar 2020 are? We gathered the data from Frame.io’s outstanding workflow article, to create a chart that summarizes the figures…

Natasha Braier, ASC, ADF on Honey Boy set. Credit: Braier's Instagram

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

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Yossy Mendelovich

2020-02-11

Discuss

3 mins read

The most recent achievement to a female cinematographer was given to Natasha Braier, ASC, ADF, being nominated for the 34th ASC Awards with “Honey Boy.” But what about the Oscar? It’s about…

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

by

Yossy Mendelovich

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

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Yossy Mendelovich

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

The Cameras and Lenses behind 34th ASC Awards

The Cameras and Lenses behind 34th ASC Feature Film Awards Nominees

by

Yossy Mendelovich

2020-01-06

News

2 mins read

Here are the cameras and lenses behind eight feature films nominated for the 34th ASC awards regarding the Theatrical and Spotlight categories. ASC Awards: A celebration for cinematographers The ASC Outstanding Achievement…

Oscar - Page 2

The Cameras Behind Oscar 2021: Film vs. Digital

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

Oscar 2021 Might be Postponed, and New Rules of Eligibility Announced

Tribeca and YouTube Announce “We Are One”: An Online International Film Festival

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

Oscar 2020’s Best Picture Nominees Figures: Budget, Crew, Production, and Post

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

The Cameras and Lenses behind 34th ASC Feature Film Awards Nominees

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