Panavision Archives - Page 2 of 10

IMAXing Barbie for One Week Only: Shot on ARRI 65 Paired With Panavision System 65 Lenses

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

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2023-09-19

Discuss

2 mins read

IMAX has announced its version of the acclaimed Barbie movie, starting September 22 for one week only, the audience can experience the IMAX version of Barbie. Expect an impressive result, since the…

Panavision Made a Special B-Series Vintage 2x Anamorphic Lens for ‘Physical’ Season 3

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Yossy Mendelovich

2023-09-01

Educate

3 mins read

The Apple TV+ ‘Physical’ S3 was shot by Cinematographer Jimmy Lindsey ASC on the ARRI ALEXA Mini LF paired with a specially made B-Series Vintage 2x Anamorphic glass by Panavision. This unique…

Oppenheimer’s Contribution to IMAX Cinematography

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Yossy Mendelovich

2023-08-01

Educate

2 mins read

Not every director has the privilege of shooting with IMAX film cameras. Furthermore, not every filmmaker/director/cinematographer dares to do unconventional shooting with these huge massive boxes. However, in Oppenheimer, DP Hoyte van…

The Lenses Behind Oppenheimer: Modified Panavision and an IMAX Snorkel Lens

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Yossy Mendelovich

2023-07-25

Educate

4 mins read

It appears that Oppenheimer was shot on specially modified fast Panavision Sphero and System 65 lenses. Even more interestingly, a dedicated snorkel lens was made for the IMAX cameras, to capture extreme…

Cinematographer Hoytema van Hoytema: “Oppenheimer is reliant on the faces of its characters”

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Yossy Mendelovich

2023-06-28

Educate

3 mins read

The Oppenheimer Production Notes were published. In the cinematography section, the creative ideas behind the film were revealed. In a sentence: In Oppenheimer, the IMAX cameras were utilized to shoot faces, and…

The Fabelmans: A Film About Shooting on Film

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Yossy Mendelovich

2023-04-07

Educate

4 mins read

The Fabelmans, which was directed by the one-and-only Steven Spielberg, and shot by the one-and-only Janusz Kamiński, is a fabulous story about a kid that wants to be a filmmaker in the…

Panavision Is Developing A Directors Finder for Smartphones

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Yossy Mendelovich

2023-03-14

Discuss

3 mins read

Panavision’s Engineering team has begun working on an ergonomically configurable Directors Finder optimized for large format and smartphones, tells Michael Cioni from frame.io. The goal is to combine iPhone technology with frame.io,…

Panavision Super-Fast (T1.4) VA Large-Format Prime Prototype Lens Spotted

by

Yossy Mendelovich

2023-02-13

News

2 mins read

Panavision is trying a new super-fast (T1.4) large-format prime lens. This prototype has been tested on several productions. The new lens is named for the street Panavision Woodland Hills is on “Variel…

Oscars 2023: Cameras and Lenses

by

Yossy Mendelovich

2023-02-06

Educate

4 mins read

As usual, we built the charts of the cameras and lenses that were used to shoot the final 95th Academy Awards nominees for Best Picture and Best Cinematography. The results are super…

The Cameras That Shot 2023 Golden Globe Winners

by

Yossy Mendelovich

2023-01-15

Discuss

2 mins read

The ARRI Mini LF strikes again. In fact, the winners of the 2023 Golden Globe Awards were shot only on ARRI and Panavision cameras. The dominant camera is the ultra-popular Mini LF.…

Panavision - Page 2

IMAXing Barbie for One Week Only: Shot on ARRI ALEXA 65 Paired With Panavision System 65 Lenses

Panavision Made a Special B-Series Vintage 2x Anamorphic Lens for ‘Physical’ Season 3

Oppenheimer’s Contribution to IMAX Cinematography

The Lenses Behind Oppenheimer: Modified Panavision and an IMAX Snorkel Lens

Cinematographer Hoytema van Hoytema: “Oppenheimer is reliant on the faces of its characters”

The Fabelmans: A Film About Shooting on Film

Panavision Is Developing A Directors Finder for Smartphones

Panavision Super-Fast (T1.4) VA Large-Format Prime Prototype Lens Spotted

Oscars 2023: Cameras and Lenses

The Cameras That Shot 2023 Golden Globe Winners

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