RED MONSTRO Archives - Page 3 of 4

RED Digital Cinema Presents: The ARSENAL

by

2021-01-05

Educate

2 mins read

No, it’s not a new product, but a sort of a recap of the RED Digital Cinema ecosystem. The RED ARSENAL is a new section on RED’s website that elaborates on the…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

by

Yossy Mendelovich

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

Director Sam Hargrave on the set of Extraction. Operating the RED Monstro. Picture: Ars Video

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

by

Yossy Mendelovich

2020-05-06

Discuss

4 mins read

The single-take action sequence (chase scene) in Netflix’s Extraction, lasts exactly 11 minutes and 29 seconds that are built from 36 different stitches (segments). The film director, Sam Hargrave explains how they…

Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro

“Extraction” BTS Footage Reveals Some Crazy Cinematography

by

Yossy Mendelovich

2020-04-15

News

2 mins read

Netflix has released BTS (Behind the Scenes) footage of its upcoming American action thriller, Extraction. By looking at this video we can explore the crazy cinematography behind it. Check it out, and…

IMAX MSM 9802 65mm camera. Photo by Matthew Williams

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

by

Yossy Mendelovich

2020-03-03

Discuss

4 mins read

There is no doubt that film cameras made a comeback, as more directors see the film stock as their weapon of choice regarding the best imagery that can be achieved. Moreover, in…

Shooting for IMAX: Cuba. Cooke S7/i and the ALEXA LF. Credit: Golden Gate 3D

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

by

Yossy Mendelovich

2020-02-17

Educate

6 mins read

Considering to screen your film on IMAX theater? Then you should read this article, which summarizes cinematographer and director Peter Chang’s insights. Chang shot his IMAX film, Cuba, on various cameras paired…

The RED Monstrochrome: Monstro 8K Monochrome

The RED Monstrochrome is Being Used by David Fincher to Shoot a Feature

by

Yossy Mendelovich

2020-01-01

News

2 mins read

The upcoming feature film Mank directed by David Fincher is being shot by RED specially made black and white camera — The RED Monstro Monochrome (Monstrochrome). The Monstrochrome: A mysterious black and…

77th Golden Globe Awards: Motion Picture Nominees-Camera manufacturers chart

The Cameras Behind the 77th Golden Globe Awards

by

Yossy Mendelovich

2019-12-17

Discuss

3 mins read

We’ve created a camera chart based on the 29 Motion Picture nominees of the 77th Golden Globe Awards. Furthermore, we have built another chart analyzing the segmentation of film vs. digital, which…

Cinematographer Si Bell and director Anthony Byrne on Peaky Blinders Season 5 set

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

by

Yossy Mendelovich

2019-11-11

Discuss

3 mins read

After four seasons shooting with the ALEXA and spherical lenses, cinematographer Si Bell and director Anthony Byrne wanted a change. Thus moving to Cooke Anamorphic Primes paired with the RED MONSTRO seemed…

RAMBO: LAST BLOOD is the First Hollywood Film Shot on the RED GEMINI

by

Yossy Mendelovich

2019-06-20

Educate

2 mins read

From the outer-space to Hollywood. RED GEMINI has paved its way to the big screen. Rambo: Last Blood, which marks the last chapter of the legendary series, was shot on the RED…

RED MONSTRO - Page 3

RED Digital Cinema Presents: The ARSENAL

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

“Extraction” BTS Footage Reveals Some Crazy Cinematography

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

IMAX Filmmaking: Here’s How to Shoot for the Giant Screen

The RED Monstrochrome is Being Used by David Fincher to Shoot a Feature

The Cameras Behind the 77th Golden Globe Awards

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

RAMBO: LAST BLOOD is the First Hollywood Film Shot on the RED GEMINI

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