Watch this cool demonstration by Sony Cine, to learn how to assemble (or disassemble) the VENICE Rialto unit, in order to shoot handheld with the Sony VENICE. This educational video shows the…
Sony has published an interview with the designer and the planner of VENICE 2. This conversation shed more light on the challenges involved in developing the brand new 8.6K sensor, and why,…
Sony Semiconductor Solutions (SSS) announces a new image sensor product brand for mobile devices titled LYTIA. That will allow Sony to ‘mark’ its high-end image mobile sensors on other smartphone manufacturers. LYTIA:…
A quiet yet important announcement from Atomos — It appears that the company has developed its own 8K video camera sensor. Atomos defines this new in-house 8K sensor as “World Class” and…
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…
Testers and reviewers of the newly announced Sony FX30 have discovered some very noticeable rolling shutter artifacts. Thus, this affordable Run N’ Gun Cinema Line camera, is not recommended to be used…
Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…
There’re times when it makes no sense to use top-notch cinema cameras. For instance, shooting in an ultra harsh environment like CBS’ Survivor. However, you still want it to look cinematic. In…
Cinema PTZ cameras armed with full-frame sensors sound like a legit idea that might be requested as well. However, when analyzing the options and possibilities regarding the utilization of cinema PTZ cameras,…
The short film “Get Away” was shot entirely with the Sony FX3. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. The FX3…