The Sony FX30 is now priced at $1,500, its lowest official price so far. For those following the FX line or working with Super35 sensors, this is a notable update — not…
In the ever-evolving landscape of filmmaking, the tools we use shape the stories we tell. Digital cinema cameras have become the cornerstone of modern filmmaking, combining cutting-edge technology with creative flexibility to…
Cinema camera sensors are at the heart of filmmaking technology. The size of the sensor in a camera significantly impacts the visual aesthetic of a film, determining everything from the depth of…
Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…
Have you wondered what are the most popular cinema cameras? Well, by analyzing three main film contests (Oscars, Cannes Film Festival, and Sundance Film Festival), the answer is pretty straightforward. Read our…
The Cannes 2024 Camera Chart demonstrates a very intriguing fact. Most of the cameras used to shoot the films have Super 35 sensors. Hence, filmmakers chose Super 35 over the large format.…
DZOFILM introduces three new focal lengths to its PAVO Anamorphic series. Joining the lineup are the Macro 65mm T2.8, 135mm T2.5, and 180mm T2.8 lenses. One standout addition to the latest PAVO…
The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…
Why hasn’t Sony released a high-end cinema camera armed with a medium format sensor? There’s no doubt that Sony can do that. This camera could be a game changer in cinematography and…
Filmmaker Patrick Tomasso went to ARRI to ask some challenging questions, to understand the philosophy behind their cameras. We gathered some fascinating insight, but moreover, we understood that it all starts from…