Super 35 Archives - Page 5 of 6 - Y.M.Cinema Magazine

ALEXA Mini LF: The Freedom to Choose Your Desired Format

by

2021-09-06

Educate

5 mins read

With the availability of the new ALEXA Mini LF SUP 7.1, this would be a smart opportunity to overview and elaborate on what the ARRI ALEXA Mini LF has to offer to…

Emmy 2021’s Cameras: Large Format Rules

by

Yossy Mendelovich

2021-08-30

Discuss

2 mins read

Thanks to IndieWire, its fascinating survey clearly shows us the domination of the large sensors, over the well-respected and traditional Super 35mm format. We analyzed the data and make a chart that…

ARRI 16-32mm Signature Zoom Prototype

by

Yossy Mendelovich

2021-08-18

Educate

2 mins read

As a part of the “Prototype Day” series held by Dynamic Rentals, which examines prototypes high-end models of cinema cameras and lenses, this time the ARRI 16-32mm T2.8 Signature Zoom was presented.…

Canon EOS C70 After Six Months of Usage: A Real Filmmaking Machine

by

Yossy Mendelovich

2021-08-16

Discuss

4 mins read

While it seems that many are waiting for the EOS R3, it’s interesting to explore what videographers think about the Canon EOS C70 that was released a year ago. The C70 was…

Sony Aims for High-Speed Imaging of Large Sensors

by

Yossy Mendelovich

2021-07-28

Discuss

4 mins read

Sony has published an article presenting its view and approach regarding stacked CMOS image sensors evolution. The article demonstrates Sony’s ambitions to further develop stacked sensors that will be capable of high-speed…

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

by

Yossy Mendelovich

2021-03-26

News

5 mins read

ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…

Toyota Commercial Shot on ARR AMIRA and Xelmus Anamorphic Primes

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

by

Yossy Mendelovich

2021-03-10

Educate

1 min read

This Toyota commercial was shot by cinematographer Brent Christy on the ARRI AMIRA and Xelmus Anamorphic Primes (Apollo series). The result is beautiful flaring and stunning imagery that presets the anamorphic cinematography…

The lenses behind Sundance Film Festival 2021

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

by

Yossy Mendelovich

2021-02-01

Discuss

3 mins read

These are the lenses that shot 33 narrative feature films premiering at Sundance 2021. Most of the lenses are dedicated to cover Super 35 sensors. The list is characterized by unique pieces…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

by

Yossy Mendelovich

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

Yossy Mendelovich

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

Super 35 - Page 5

ALEXA Mini LF: The Freedom to Choose Your Desired Format

Emmy 2021’s Cameras: Large Format Rules

ARRI 16-32mm Signature Zoom Prototype

Canon EOS C70 After Six Months of Usage: A Real Filmmaking Machine

Sony Aims for High-Speed Imaging of Large Sensors

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

2020: The Year of the Large Format Cinematography

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

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