Watch: Short Film That Shows the Low-Light Capabilities of the Blackmagic Pocket 6K Pro
Watch: Short Film That Shows the Low-Light Capabilities of the Blackmagic Pocket 6K Pro

Watch: Short Film That Shows the Low-Light Capabilities of the Blackmagic Pocket 6K Pro

2022-01-02
3 mins read

On this very special independent project, the Blackmagic Pocket Cinema Camera 6K Pro was paired with the Celestron NexStar 4se Telescope 1325mm, to capture a highly detailed shot of the moon. Furthermore,  beautiful macro shots were crafted and combined as well using more conventional lenses. Watch that short film to reveal what the BMPCC 6K Pro is capable of in very low-light environments. 

BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver
BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver

Pocket 6K Pro + Telescope (1350mm lens)

A few months ago, we wrote about the stargazers brothers, Zander and Elliot, who are also independent filmmakers, that utilized the Blackmagic Pocket Cinema Camera 6K Pro to capture the moon at 6K BRAW. (Read: Capturing the Moon With the Blackmagic Pocket 6K Pro). Now, when their short is ready, we proudly present the final result…and it’s marvelous! The short film called  OVER THE MOON demonstrates the capabilities of the BMPCC 6K Pro to capture high detailed images in very low light environments. As described, the results are stunning and very unique.

BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver
BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver

As you’ll see, it was a very stripped back and modest shoot from a gear and lighting perspective, making it a really great field test for the camera.

Filmmakrs Elliot & Zander Weaver

BRAW 8:1 and 4,000 ISO

OVER THE MOON was shot on the Blackmagic Pocket Cinema Camera 6K Pro in BRAW at 8:1 compression. Here’s what the filmmakers had to say about the technical phase of the project: “As you’ll see, it was a very stripped back and modest shoot from a gear and lighting perspective, making it a really great field test for the camera. The 6K Pro has plenty of firepower making it a potent little guerrilla indie camera while also holding its own as a fully kitted out pro cinema camera. Its low light capability allowed us to shoot through dusk in continually falling light and use the BRAW and low noise floor to capture shockingly noiseless/grainless footage. On this short, we were able to shoot all the way up to 4000ISO with a bit of gentle noise removal in DaVinci Resolve”. 

BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver
BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver

The 6K Pro has plenty of firepower making it a potent little guerrilla indie camera while also holding its own as a fully kitted out pro cinema camera.

Filmmakrs Elliot & Zander Weaver

OVER THE MOON’s Tech spec

Gear:

  • Blackmagic Pocket Cinema Camera 6K Pro
  • Sands Hunter 28mm
  • Canon EF-S 55-250mm
  • Vivitar Series 1 Close Focus Diopter Set
  • Celestron NexStar 4se Telescope 1325mm.

Camera setting:

  • Filmed in 6K (6144×3456)
  • Constant Bitrate BRAW 8:1
  • Frame Rate: 33fps (select shots at 48fps)
  • Shutter Angle: 237.6
  • ISO: 200-4000
BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver
BTS of OVER THE MOON with the Blackmagic Design Pocket Cinema Camera 6K Pro. Credit: Elliot & Zander Weaver

The BRAW and low noise floor to capture shockingly noiseless/grainless footage.

Filmmakrs Elliot & Zander Weaver

The film was edited, graded, and composited in DaVinci Resolve Studio 17. Close-up shots of the Moon were filmed using the Blackmagic Pocket Cinema Camera 6K Pro and a Celestron NexStar 4se telescope with a focal length of 1325mm. Watch the short in full resolution below (4K is VERY recommended):

Closing thoughts

OVER THE MOON is an example of a pretty simple independent project that almost every talented filmmaker can execute. This statement is logical from a technical point of view. Hence, the idea is truly simple and brilliant. This short film demonstrates the clean image of the BMPCC 6K Pro, and its decent low light capabilities. For instance, you can reveal the cinematic macro shots, and the very detailed moon shots. Furthermore, faces also look beautiful and artistic. OVER THE MOON is a short that deserves to be screened on the big screen. Do yourself a favor and watch it on your biggest screen with 4K resolution.

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

1 Comment

  1. 4k blackmagic I took moon picture very sharp unbelievable immage quality specially used 3d lut

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Cinema Lenses: ARRI Talks About its Signature Glass (Primes and Zooms)
Previous Story

Cinema Lenses: ARRI Talks About its Signature Glass (Primes and Zooms)

Nikon Z9 vs. Sony Alpha 1: Rolling Shutter Comparison. Picture: Family of Tech
Next Story

Nikon Z9 vs. Sony Alpha 1: Rolling Shutter Comparison

Latest from Educate

ARRI Presents: The ALEXA 35 Showreel 2024

ARRI Presents: The ALEXA 35 Showreel 2024

ARRI has published the ALEXA 35 Showreel for 2024. This showreel aims to demonstrate the cinematographic diversity of projects shot on the ARRI 35, from blockbusters to indie commercials, and also to…
The Lenses Behind Joker 2

The Lenses Behind Joker 2

Joker 2 (Joker: Folie à Deux) is a cinematic masterpiece. The camera that created it is the acclaimed ARRI ALEXA 65. However, the magical lens that shot it is the mighty MasterBuilt…
Hear the Sound of IMAX 15/70 Film Cameras

Hear the Sound of IMAX 15/70 Film Cameras

IMAX film cameras are noisy. Their design and structure make them almost impossible to utilize in dialogue scenes. However, have you ever heard them on set? These two YouTube videos demonstrate the…
Go toTop

Don't Miss

DaVinci Resolve 19.0.1 Released: Sharpening the Timeline

DaVinci Resolve 19.0.1 Released: Sharpening the Timeline

Blackmagic Design just released a better version of DaVinci Resolve 19. Resolve 19.0.1 includes enhanced responsiveness of the Timeline when moving large numbers…
DaVinci Resolve 19 Defeats Premiere Pro on WoA Compatibility

DaVinci Resolve 19 Defeats Premiere Pro on WoA Compatibility

DaVinci Resolve 19 is natively compatible with WoA (Windows on Arm). That would be a piece of good news for Resolve users who…