In the digital age, where cameras and workflows are often dictated by convenience and technological advancements, the allure of shooting on film persists as an enduring art form. For filmmakers passionate about tactile filmmaking and unmatched image quality, 2024 has proven to be a landmark year for traditional film cameras. Among the standout options are the ARRICAM, ARRIFLEX, and IMAX MSM 9802. These three giants have defined the year, each excelling in specific areas. Yet, the IMAX MSM 9802—used in Oscar-winning productions and championed by cinematographer Hoyte van Hoytema—emerges as the ultimate choice for its ability to capture stunning visuals with unparalleled depth and richness. Let’s explore each of these iconic cameras, their differences, and why the IMAX MSM 9802 leads the pack.

ARRICAM: A Filmmaker’s Staple

The ARRICAM series, developed by ARRI in the late 1990s and early 2000s, has long been a cornerstone of professional filmmaking. By combining the best features of the ARRIFLEX and ARRI’s Moviecam systems, the ARRICAM was designed for maximum versatility and ergonomic comfort. Its reemergence in high-profile productions during 2024, as discussed in The Cameras Behind Oscar 2024, highlights its timeless appeal to filmmakers looking for reliability and superior filmic imagery.

One of the most notable features of the ARRICAM is its whisper-quiet operation, making it ideal for shooting dialogue-heavy scenes. Filmmakers also appreciate its dual film magazines, allowing for both standard and inverted mounting configurations, which add flexibility on set. The ARRICAM has shone brightly in 2024’s TIFF films (The Cameras of TIFF 2024), underscoring its enduring popularity in the Super 35mm format. Super 35 remains one of the most widely used formats for its balance between image resolution and depth of field, especially when paired with modern film stocks.

ARRICAM’s reliability is celebrated not only for its performance but also its craftsmanship. As seen in ARRI Showreel 2022, the camera’s adaptability across genres, from drama to action, cements its position as a go-to tool for filmmakers. Its modular design allows cinematographers to configure it to their specific needs, whether shooting handheld, on a crane, or in a studio setup. For filmmakers seeking a robust, versatile film camera, the ARRICAM remains an essential choice. Its consistent results, coupled with a legacy of cinematic excellence, ensure its continued relevance even as digital filmmaking continues to dominate.

ARRIFLEX: A Heritage of Craftsmanship

The ARRIFLEX line is steeped in history, dating back to ARRI’s pioneering introduction of the world’s first reflex mirror shutter system in the 1930s. Over the decades, ARRIFLEX cameras have evolved to meet the demands of filmmakers, becoming synonymous with durability and ease of use. As highlighted in The Most Popular Film Cameras, the ARRIFLEX remains a beloved tool for its practicality and reliability.

Unlike the ARRICAM, the ARRIFLEX is known for its lighter build, making it ideal for handheld and run-and-gun shooting styles. Models like the ARRIFLEX 416 and 235 are particularly valued for their compact design, which doesn’t compromise image quality (ask Michael Bay :-)). The ARRIFLEX is also celebrated in niche markets, where filmmakers and collectors bid passionately for rare models. This enthusiasm was evident in the ARRI CPO Auctions, where a blind auction showcased the camera’s enduring allure.

The ARRIFLEX’s versatility extends to a variety of formats, from 16mm to 35mm, allowing filmmakers to experiment with different visual aesthetics. It is often chosen for indie projects and documentaries, where mobility and ease of use are paramount. The ARRIFLEX continues to be a trusted companion for filmmakers who value the tactile experience of working with film, blending tradition with innovation.

IMAX MSM 9802: The Champion of Image Quality

In a league of its own, the IMAX MSM 9802 is the crown jewel of film cameras in 2024 (in our opinion). Designed for IMAX’s 15/70 format, the MSM 9802 delivers unparalleled image resolution and dynamic range. This camera’s capability to capture large-format imagery is unrivaled, as demonstrated in Loading 65mm IMAX Film. The MSM 9802’s massive frame size allows for breathtaking detail and a sense of immersion that smaller formats simply cannot replicate.

The MSM 9802 played a pivotal role in 2024’s most celebrated film, Oppenheimer, shot by Hoyte van Hoytema. The film’s Oscar win solidified the camera’s reputation as a game-changer in the industry (IMAX Presents BTS of Oppenheimer). Hoytema’s advocacy for shooting on film (Hoyte van Hoytema: Celluloid is Alive and Shoot Film, It’s Easier Than You Think) highlights the unique qualities of film that digital cameras have yet to fully replicate.

The MSM 9802 also addresses the logistical challenges of shooting on film. While handling 65mm film can be intimidating, Hoytema and other cinematographers have demonstrated that with the right preparation, it’s a manageable and rewarding process. The camera’s mechanical precision and optical excellence make it the top choice for filmmakers seeking to push visual storytelling to new heights.

Why the MSM 9802 Leads the Pack

Beyond its technical prowess, the IMAX MSM 9802 represents a cultural shift in the industry. As highlighted in Hear the Sound of IMAX Cameras, the camera’s unique auditory presence on set adds a layer of authenticity (and very high complexity) that filmmakers and audiences alike find captivating. The MSM 9802’s ability to capture light and texture with unparalleled fidelity makes it the gold standard for cinematic imagery.

Filmmakers like Christopher Nolan have championed the use of IMAX cameras, utilizing their massive 15/70mm film format to achieve unparalleled resolution and scale. Unlike many directors who use IMAX for select sequences, Nolan consistently integrates the format throughout his films, ensuring a seamless visual experience. His meticulous approach includes customizing the cameras for unique shots and prioritizing in-camera effects over digital post-production. By leveraging IMAX’s ability to capture vast landscapes and intricate details, Nolan crafts scenes with an intensity and immersion rarely seen in cinema, setting his work apart from others who may use IMAX more sparingly. As discussed in Christopher Nolan’s Use of IMAX and IMAX 2021 Films, the MSM 9802 is instrumental in crafting large-scale visual masterpieces. Its massive negative size and ability to render fine details make it a favorite among filmmakers aiming for maximum impact.

The resurgence of film as an artistic medium is also linked to the MSM 9802’s success. Hoytema’s work on Oppenheimer is a testament to the camera’s capabilities, showing that shooting on film is not only viable but also essential for certain creative visions. This pushback against the homogenization of digital formats is a significant moment for the industry, emphasizing the value of traditional filmmaking techniques.

Final Thoughts

The ARRICAM and ARRIFLEX are invaluable tools for filmmakers, offering reliability, versatility, and a tactile filmmaking experience. They cater to a broad range of creative needs, from indie productions to major studio films. However, the IMAX MSM 9802 stands out as the definitive film camera of 2024. Its technical excellence, cultural significance, and ability to produce breathtaking visuals make it the top choice for filmmakers seeking to push the boundaries of cinematic storytelling. Hoyte van Hoytema’s advocacy for the MSM 9802, combined with its use in Oscar-winning productions, cements its status as the leader in 15/70 film cameras. As digital technology continues to evolve, the enduring appeal of film—captured beautifully by the MSM 9802—proves that some traditions are worth preserving.