Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…
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It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…
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It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…
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The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…
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Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…
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This Is The Sensor of the ‘Big-Sky’ Camera
5 mins read
Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…
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Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…
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In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…
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IMAX CEO: “We use AI to blowup images”
2 mins read
The chief executive officer of IMAX, Richard Gelfond, said at the Bank of America Media, Communications & Entertainment Conference, that the company utilizes AI (Artificial intelligence) in order to “blowup images” that…
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In a short but intriguing interview held by Digital Cinema Report, ‘The Creator’ DP, Oren Soffer, elaborated on the making. As explained by the film director Gareth Edwards regarding the guerrilla-style filmmaking…
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