Browse Tag

IMax

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

3 mins read

Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…

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“Napoleon” is Another Practical (no CGI) Masterpiece

3 mins read

It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…

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Shooting a Movie on a Data Rate of 32 Gigabits Per Second

2 mins read

It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…

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The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

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The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

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This Is The Sensor of the ‘Big-Sky’ Camera

5 mins read

Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…

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The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

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Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

7 mins read

In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…

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IMAX CEO: “We use AI to blowup images”

2 mins read

The chief executive officer of IMAX, Richard Gelfond, said at the Bank of America Media, Communications & Entertainment Conference, that the company utilizes AI (Artificial intelligence) in order to “blowup images” that…

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The Tools That Created ‘The Creator’: Sony FX3, Ronin RS2, Atomos Ninja, Kowa 75mm Anamorphic, and ProRes RAW

5 mins read

In a short but intriguing interview held by Digital Cinema Report, ‘The Creator’ DP, Oren Soffer, elaborated on the making. As explained by the film director Gareth Edwards regarding the guerrilla-style filmmaking…

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