IMax Archives - Page 2 of 25 - Y.M.Cinema Magazine

Sony Develops RIALTO 65: VENICE 2 Goes 65mm

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2026-06-03

News

3 mins read

Sony has announced the development of RIALTO 65, a new 65mm format image sensor block designed to expand the VENICE 2 digital cinema camera system into a much larger imaging platform. The…

What Happens If Apple, Sony, or Netflix Buys IMAX?

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YMCinema

2026-05-26

Discuss

6 mins read

IMAX is reportedly being viewed by Wall Street as a serious acquisition target. The possible buyers include Apple, Sony, Netflix, and private equity. However, the real question is larger than valuation. What…

Hoyte van Hoytema Shooting The Odyssey With the Massive Soundproof IMAX Enclosure

Rare Behind-the-Scenes Photos Reveal the Soundproof IMAX “Coffin” Built for The Odyssey

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YMCinema

2026-05-25

Educate

3 mins read

Rare behind-the-scenes photos from the production of The Odyssey show Christopher Nolan and cinematographer Hoyte van Hoytema shooting with one of the most unusual IMAX rigs ever built. It is massive, black,…

The New IMAX 65mm Film Camera Used on The Odyssey Is Now on Public Display

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YMCinema

2026-05-16

News

2 mins read

The new IMAX 65mm film camera used on Christopher Nolan’s The Odyssey has now been placed on display at IMAX HQ, giving the public a rare look at the complete camera system.…

The Odyssey Was Shot on a 400 Pound IMAX System, Christopher Nolan Reveals

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YMCinema

2026-05-08

News

3 mins read

Christopher Nolan has just revealed one of the most fascinating technical details behind The Odyssey, and it may represent a major turning point for large format cinema. During an interview on The…

The Tools Behind Michael: VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

The Tools Behind Michael: Sony VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

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YMCinema

2026-04-26

Educate

3 mins read

The film Michael presents a unique cinematographic challenge. This is not a conventional biopic built around controlled dialogue scenes and carefully staged compositions. It is a film driven by performance, scale, and…

IMAX Chooses ‘Dune’ Over ‘Avengers’: A Shift Back to Native Large Format?

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YMCinema

2026-03-25

Discuss

3 mins read

The absence of Avengers: Doomsday from IMAX screens at launch should not be treated as a simple scheduling conflict. It reflects structural constraints within IMAX’s exhibition ecosystem and, more importantly, a shift…

Dune Part Three Needed Custom IMAX Lenses Built From Scratch

Dune 3 Needed Custom IMAX Lenses Built From Scratch

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YMCinema

2026-03-22

Educate

3 mins read

As covered in Dune Part Three Shot on Film, Dune Part Three (Dune 3) is being photographed on film, including IMAX 70mm capture. That is an important technical shift. On the first…

Want to Win an Oscar for Cinematography? Shoot IMAX Film

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YMCinema

2026-03-16

Discuss

2 mins read

Every year, the Academy Awards celebrate cinematography that pushes visual storytelling forward. But if you look closely at recent winners and contenders, a clear pattern begins to emerge. Many of the films…

Meet the FUJIFILM ETERNA 55 IMAX Camera

by

YMCinema

2026-01-21

News

3 mins read

FUJIFILM has reached a meaningful cinematic milestone. The FUJIFILM GFX ETERNA 55 is now officially IMAX-certified, joining a very select group of digital cinema cameras approved for the Filmed For IMAX program.…

IMax - Page 2

Sony Develops RIALTO 65: VENICE 2 Goes 65mm

What Happens If Apple, Sony, or Netflix Buys IMAX?

Rare Behind-the-Scenes Photos Reveal the Soundproof IMAX “Coffin” Built for The Odyssey

The New IMAX 65mm Film Camera Used on The Odyssey Is Now on Public Display

The Odyssey Was Shot on a 400 Pound IMAX System, Christopher Nolan Reveals

The Tools Behind Michael: Sony VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

IMAX Chooses ‘Dune’ Over ‘Avengers’: A Shift Back to Native Large Format?

Dune 3 Needed Custom IMAX Lenses Built From Scratch

Want to Win an Oscar for Cinematography? Shoot IMAX Film

Meet the FUJIFILM ETERNA 55 IMAX Camera

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