RED Digital Cinema has just made an unprecedented move in the high-end cinema camera market by slashing the price of the RED KOMODO from $5,995 to just $2,995. This dramatic $2,000 price drop significantly reshapes the accessibility of professional-grade filmmaking tools, making RED’s globally respected technology available to an even broader range of filmmakers.

Why the RED KOMODO at $2,995 Is a Bargain
For years, RED cameras were associated with premium pricing, catering mainly to big-budget productions. However, with the KOMODO’s new price tag, RED has made high-end cinema technology accessible to independent filmmakers, YouTubers, and emerging cinematographers who previously found the cost barrier too high.
Here’s why the RED KOMODO at $2,995 is an absolute steal:
- 6K Global Shutter Sensor: Unlike rolling shutters found in many other cameras, the KOMODO’s global shutter eliminates motion distortion and rolling shutter artifacts, making it ideal for high-speed action, handheld work, and VFX-heavy projects.
- RED’s Industry-Leading Color Science: The KOMODO inherits the R3D codec from its higher-end RED siblings, allowing filmmakers to achieve Hollywood-grade cinematic visuals straight out of the camera.
- Compact and Versatile Design: The KOMODO’s small form factor makes it perfect for gimbal work, drones, and run-and-gun shooting while still delivering a solid image quality.
- Professional-Grade Codec Options: REDCODE RAW (R3D) and Apple ProRes recording options provide a film flexibility in post-production.
- Proven Track Record in Major Productions: The KOMODO has already been used in high-end productions, including major feature films and television series.
The Strategic Reason Behind RED’s Price Drop
This significant price cut is not just about making RED cameras more affordable—it’s a calculated move that aligns with the company’s broader strategy.
As stated by RED’s CEO, Keiji Oishi:
“With this reduced price, RED aims to make our cameras even more accessible to a wider range of filmmakers, from those just starting out to seasoned professionals.”
This statement indicates RED’s commitment to broadening its customer base and solidifying its market presence in the face of increasing competition from Canon, Sony, and Blackmagic Design. By lowering the price, RED is:
- Expanding Its Market Reach: This move allows RED to attract a new generation of filmmakers who may have otherwise opted for competing brands.
- Strengthening Brand Loyalty: Making RED cameras more accessible at entry levels ensures that filmmakers will continue to use RED as they advance in their careers, eventually upgrading to more expensive RED models like the V-RAPTOR- DSMC3 lineups.
- Adapting to Industry Shifts: With the rise of YouTube, independent cinema, and the demand for high-quality, compact filmmaking tools, RED is positioning itself as the go-to brand for a new wave of creators.
- Building a Long-Term Ecosystem: More affordable entry points mean more users will invest in RED’s accessories, workflow tools, and higher-end cameras over time.
A Defining Moment for RED and the Filmmaking Industry
RED’s decision to lower the KOMODO’s price to $2,995 marks a major shift in the cinema camera industry. It disrupts the professional camera market by providing filmmakers with a Hollywood-grade tool at a fraction of the price of competing systems. More importantly, it signals RED Digital Cinema long-term vision to foster a new generation of content creators who aspire to achieve cinema-quality visuals without breaking the bank. With the RED KOMODO now within reach for more filmmakers than ever before, we are witnessing a turning point where high-end filmmaking technology is no longer exclusive to big-budget productions. Whether you’re an aspiring indie director, a commercial cinematographer, or a content creator looking to elevate your work, this price drop presents a golden opportunity to own a piece of RED’s legendary imaging technology.
Love the new price, but where I live that is a $3,000 price drop, from $5,999 to $2,999 so somewhere there is a missing thousand dollars OR the new price is wrong.
En mi empresa hemos comprado 4 modelos de RED , desde Scarlet a V Raptor DSMC3 , hicimos 2 upgrade , pero ya ahora dejamos de pensar en hacer upgrade , por que cada dia las camaras valen menos , quien quiere comprar una RED V Raptor XL de 44K que al año va a costar 15 K
Great isn’t that good for young people wanting to get into this business and own their own professional beautiful camera? Good on you for doing this blessings to you?