IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, it’s a tiny and reduced…
Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…
There’s technical cinematography debate regarding the camera that shot Dune Part Two. Some shreds of evidence indicate that Dune 2 was shot entirely on IMAX film cameras (Filmed with IMAX), and others…
The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…
This was one of the most fascinating sessions during NAB 2024. The lecture titled “The Art and Science of IMAX” sheds light on IMAX filmmaking and the upcoming next-generation of IMAX 65mm film…
Deadline is reporting on hundreds more layoffs incoming at one of the VFX top firms, DNEG, which is the VFX company behind major blockbusters like Dune: Part Two, Oppenheimer, The Last of…