In an interview held at CP+, by the French site Phototrend, Canon confirmed that DSLR is far from being dead. In fact, the acclaimed EOS 1D X Mark III is still considered…
In a series of interviews, Sigma CEO – Kazuto Yamaki, elaborated (again) on the development of the anticipated full-frame sensor. This ambitious project which was supposed to be accomplished in 2022, seems…
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…
Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…
Here’re the charts and segmentations of the cameras that shot the Sundance 2023’s documentary films. It proves once again that documentary filmmakers use different tools as compared to their narrative colleagues. Not…
Yet another impressive marketing maneuver, and this time by Samsung, that has recruited the acclaimed director, Ridley Scott, to shoot an action film using only the smartphone flagship, Galaxy S23 Ultra. What…
The acclaimed cinematographer, Steve Yedlin ASC, sat with Zeiss to discuss the cinematography behind the beautiful film Glass Onion: A Knives Out Mystery. Read below what Yedlin had to say about camera…
IndieWire has published its extensive survey regarding the cameras and lenses that shot 40 narrative films at the 2023 Sundance Film Festival. We took the data and organize it in order to…
The ARRI Mini LF strikes again. In fact, the winners of the 2023 Golden Globe Awards were shot only on ARRI and Panavision cameras. The dominant camera is the ultra-popular Mini LF.…
It’s not a secret that James Cameron, likewise many other acclaimed directors, believes in seeing a movie at a movie theater. As opposed, to “Sitting on his ass” watching at home via…