Discuss Archives - Page 26 of 54 - Y.M.Cinema Magazine

Opinion: Apple Final Cut Pro Is Not ‘Pro’ Anymore

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2023-03-29

Discuss

7 mins read

It seems that Apple has removed its Pro App flagship from the ‘Professional’ tag. Since the beginning of the year, Apple has not released any update of FCP (Final Cut Pro). On…

Oscars 2023 Figures: Budget, Crew, Shooting Days, and Post

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YMCinema

2023-03-27

Discuss

2 mins read

Comprehensive research made by Lisa McNamara from frame.io sheds light on the figures behind Oscars 2023 regarding the main factors of budget, crew, duration of principal photography, and post-production. How can it…

Shooting Cinematic Sports With Cooke Glass

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YMCinema

2023-03-15

Discuss

2 mins read

Would you use high-end cinema lenses to shoot a feature-length documentary? Well, a production company called ‘Shoot The Company’ has done this with the Cooke Varotal lenses. Why did the team choose…

Panavision Is Developing A Directors Finder for Smartphones

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YMCinema

2023-03-14

Discuss

3 mins read

Panavision’s Engineering team has begun working on an ergonomically configurable Directors Finder optimized for large format and smartphones, tells Michael Cioni from frame.io. The goal is to combine iPhone technology with frame.io,…

Canon: There’s Still Strong Demand for DSLR Cameras

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YMCinema

2023-03-13

Discuss

3 mins read

In an interview held at CP+, by the French site Phototrend, Canon confirmed that DSLR is far from being dead. In fact, the acclaimed EOS 1D X Mark III is still considered…

SIGMA Struggles With the Development of the Full-Frame Foveon Sensor

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YMCinema

2023-02-27

Discuss

4 mins read

In a series of interviews, Sigma CEO – Kazuto Yamaki, elaborated (again) on the development of the anticipated full-frame sensor. This ambitious project which was supposed to be accomplished in 2022, seems…

Shooting Sports on ARRI AMIRA and Fujinon 25-300mm Cinema Lens

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YMCinema

2023-02-23

Discuss

2 mins read

According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…

Shooting a Cinematic Commercial on the FUJINON 25-1000mm Box Lens

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YMCinema

2023-02-20

Discuss

3 mins read

Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…

The Cameras That Shot Sundance 2023 Documentaries

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YMCinema

2023-02-14

Discuss

4 mins read

Here’re the charts and segmentations of the cameras that shot the Sundance 2023’s documentary films. It proves once again that documentary filmmakers use different tools as compared to their narrative colleagues. Not…

Director Ridley Scott Shot an Action Film Entirely on Galaxy S23 Ultra

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YMCinema

2023-02-10

Discuss

3 mins read

Yet another impressive marketing maneuver, and this time by Samsung, that has recruited the acclaimed director, Ridley Scott, to shoot an action film using only the smartphone flagship, Galaxy S23 Ultra. What…

Discuss - Page 26

Opinion: Apple Final Cut Pro Is Not ‘Pro’ Anymore

Oscars 2023 Figures: Budget, Crew, Shooting Days, and Post

Shooting Cinematic Sports With Cooke Glass

Panavision Is Developing A Directors Finder for Smartphones

Canon: There’s Still Strong Demand for DSLR Cameras

SIGMA Struggles With the Development of the Full-Frame Foveon Sensor

Shooting Sports on ARRI AMIRA and Fujinon 25-300mm Cinema Lens

Shooting a Cinematic Commercial on the FUJINON 25-1000mm Box Lens

The Cameras That Shot Sundance 2023 Documentaries

Director Ridley Scott Shot an Action Film Entirely on Galaxy S23 Ultra

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