Discuss Archives - Page 36 of 45 - Y.M.Cinema Magazine

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

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2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

“The Grey” (2011): Cinematography Pushed to the Limit

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YMCinema

2020-12-24

Discuss

3 mins read

Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…

The Cameras Behind Oscar 2021: Film vs. Digital

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YMCinema

2020-12-07

Discuss

3 mins read

As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…

Black & White cinematography: ALEXA Mini and Cooke Panchro/i Classic

Black & White Cinematography With ALEXA Mini and Cooke Panchro/i Classic

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YMCinema

2020-12-03

Discuss

3 mins read

Black & White is the new color. Many DPs are trying to implement the artistic and most challenging black and white imagery. In this article, the black and white low budget drama,…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

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YMCinema

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

Women’s Cinema: Meet 1st AC Amanda Wojtaszek

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YMCinema

2020-11-24

Discuss

6 mins read

Women’s Cinema is a new series by Y.M.Cinema Magazine with the goal of encouraging women to pursue after filmmaking career. This time, we interviewed 1st AC Amanda Wojtaszek which has worked on…

Premiere Pro and Avid Editors: Do-Not Upgrade to macOS Big Sur Yet!

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YMCinema

2020-11-15

Discuss

3 mins read

Video editors – Please read this article before upgrading to the newest macOS. Premiere Pro and Avid Media Composer are not fully compatible with Big Sur. Read below Avid and Adobe statements. …

Watch: Mercedes Commercial Shot on the BMPCC6K

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YMCinema

2020-11-06

Discuss

3 mins read

Cinematographer Matteo Bertoli shares with us the BTS footage and tips and tricks, on how he utilized the magical simplicity of its BMPCC6K to shoot an official Mercedes commercial, and how to…

Will Netflix Acquire ‘No Time to Die’ for $600 Million?

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YMCinema

2020-10-25

Discuss

3 mins read

The rumor on the street says there is a possibility that the new James Bond movie ‘No Time to Die’ will be acquired by streaming services for $600M due to the COVID…

The URSA Mini Pro 12K on the Ultimate arm

Watch: Emmy Commercial Shot on URSA Mini Pro 12K

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YMCinema

2020-10-18

Discuss

2 mins read

This ALEXA-Look Emmy commercial was shot on the URSA Mini Pro 12K. Cinematographer Vance Burberry takes us behind the scenes and demonstrates how this complex project which combined three Blackmagic Design cinema…

Discuss - Page 36

2020: The Year of the Large Format Cinematography

“The Grey” (2011): Cinematography Pushed to the Limit

The Cameras Behind Oscar 2021: Film vs. Digital

Black & White Cinematography With ALEXA Mini and Cooke Panchro/i Classic

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

Women’s Cinema: Meet 1st AC Amanda Wojtaszek

Premiere Pro and Avid Editors: Do-Not Upgrade to macOS Big Sur Yet!

Watch: Mercedes Commercial Shot on the BMPCC6K

Will Netflix Acquire ‘No Time to Die’ for $600 Million?

Watch: Emmy Commercial Shot on URSA Mini Pro 12K

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