Discuss Archives - Page 42 of 51 - Y.M.Cinema Magazine

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

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2021-01-20

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3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Watch: Super Epic Freefly Wave 4K 422FPS Footage

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YMCinema

2021-01-15

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2 mins read

Filmmaker Tyler Johnson from OL’TJP Films took the brand new ultra-high-speed compact 4K global shutter camera, the Freefly Wave for a spin. The result is pretty rad. Watch it below. Also, check…

Women’s Cinema: Meet Cinematographer and Camera Operator Emily Michelle Gonzales

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YMCinema

2021-01-07

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6 mins read

As a part of our series, Women’s Cinema, we interviewed cinematographer and camera operator Emily (Em) Michelle Gonzales. In this inspiring session, Em sheds light on how’s like to work on a…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

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YMCinema

2021-01-03

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3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

“The Grey” (2011): Cinematography Pushed to the Limit

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YMCinema

2020-12-24

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3 mins read

Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…

The Cameras Behind Oscar 2021: Film vs. Digital

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YMCinema

2020-12-07

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3 mins read

As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…

Black & White cinematography: ALEXA Mini and Cooke Panchro/i Classic

Black & White Cinematography With ALEXA Mini and Cooke Panchro/i Classic

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YMCinema

2020-12-03

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3 mins read

Black & White is the new color. Many DPs are trying to implement the artistic and most challenging black and white imagery. In this article, the black and white low budget drama,…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

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YMCinema

2020-11-30

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2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

Women’s Cinema: Meet 1st AC Amanda Wojtaszek

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YMCinema

2020-11-24

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6 mins read

Women’s Cinema is a new series by Y.M.Cinema Magazine with the goal of encouraging women to pursue after filmmaking career. This time, we interviewed 1st AC Amanda Wojtaszek which has worked on…

Premiere Pro and Avid Editors: Do-Not Upgrade to macOS Big Sur Yet!

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YMCinema

2020-11-15

Discuss

3 mins read

Video editors – Please read this article before upgrading to the newest macOS. Premiere Pro and Avid Media Composer are not fully compatible with Big Sur. Read below Avid and Adobe statements. …

Discuss - Page 42

The Cameras Behind Best Netflix Original Movies of 2020

Watch: Super Epic Freefly Wave 4K 422FPS Footage

Women’s Cinema: Meet Cinematographer and Camera Operator Emily Michelle Gonzales

2020: The Year of the Large Format Cinematography

“The Grey” (2011): Cinematography Pushed to the Limit

The Cameras Behind Oscar 2021: Film vs. Digital

Black & White Cinematography With ALEXA Mini and Cooke Panchro/i Classic

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

Women’s Cinema: Meet 1st AC Amanda Wojtaszek

Premiere Pro and Avid Editors: Do-Not Upgrade to macOS Big Sur Yet!

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