Discuss Archives - Page 44 of 45 - Y.M.Cinema Magazine

URSA Mini Pro 4.6K G2: Slow-Motion Footage

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2019-03-24

Discuss

1 min read

Many of you have been asking for an examination of the new URSA Mini Pro G2 slow motion capabilities. So there you go. Thanks to Garth De Bruno Austin we have some…

The Obsolescence of CinemaDNG: From Digital Negative to Blackmagic RAW

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YMCinema

2019-03-19

Discuss

4 mins read

CinemaDNG and Blackmagic were best friends. Nevertheless, the codec has been removed on the last update (Blackmagic Camera 6.2) and was replaced by Blackmagic RAW (BRAW). Why? Read below. The history of…

RED HYDROGEN One Will be Able to Shoot Compressed RAW

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YMCinema

2019-03-14

Discuss

1 min read

The latest patent application by Jim Jannard (RED’s founder) reveals new capabilities for the HYDROGEN One. Appears that RED has developed a technological solution that allows shooting RAW files by smartphones. Patent:…

RED DSMC3 Wish List: Features We’d Like to see

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YMCinema

2019-03-11

Discuss

1 min read

Let’s suppose RED DSMC3 is to be announced tomorrow. What are the features and improvement you’d like to see? We made a generally high-level non-binding list of the most desired features we…

Canon C300 Mark III 8K Full Frame: The NAB Show 2019’s Hypothesis

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YMCinema

2019-03-11

Discuss

1 min read

Although it has not yet been confirmed, it’s a strong rumor. According to Canon Rumors, there is a high possibility that Canon will announce a new EOS Cinema Camera at NAB Show 2019, that is capable of…

The ‘Oscar 2019 Saga’ Showed that the ASC and ACE are the Sentinels of the Filmmakers

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YMCinema

2019-02-19

Discuss

5 mins read

It has been a stormy February. The Academy Awards (aka Oscar) has started a tsunami with the controversial decision not to broadcast Best Cinematography, Best Editing, Best Make-Up, and Best Live Action…

Panasonic EVA-1 new Firmware Update: H.265 Analysis and Advantages

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YMCinema

2019-02-08

Discuss

3 mins read

Panasonic has released a major firmware update to the cinema camera EVA-1. One of the main features is the ability to record 4K 60p 10bit internally thanks to the advanced h.265 (HEVC)…

Sundance Film Festival 2019: Camera chart

ALEXA Mini is the Dominant Camera Behind Sundance 2019 Films. RED’s Fans Take a Stand

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YMCinema

2019-02-05

Discuss

3 mins read

It appears that the ALEXA Mini did it again. Being the most desired camera by filmmakers at almost every prestige festival or contest, ALEXA Mini was chosen again and again by filmmakers…

Would Apple Ditch NVIDIA for AMD’s new Radeon VII? The Mac Pro Hypothesis

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YMCinema

2019-01-22

Discuss

3 mins read

Seems that the professional content creators who use Mac in their productions (and post) have got between the hammer and the anvil. Since the dawn of time, there is a combat between…

CES 2019 Innovation Awards in the Digital Imaging category

The CES 2019 Innovation Award Goes to: HERO7 Black, Canon RF 28-70mm lens and LitraPro

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YMCinema

2019-01-03

Discuss

2 mins read

As we are getting closer to CES 2019, it’s the time to announce the annual CES Innovation Awards honorees in the Digital Imaging category. We picked the most relevant honorees for filmmakers: …

Discuss - Page 44

URSA Mini Pro 4.6K G2: Slow-Motion Footage

The Obsolescence of CinemaDNG: From Digital Negative to Blackmagic RAW

RED HYDROGEN One Will be Able to Shoot Compressed RAW

RED DSMC3 Wish List: Features We’d Like to see

Canon C300 Mark III 8K Full Frame: The NAB Show 2019’s Hypothesis

The ‘Oscar 2019 Saga’ Showed that the ASC and ACE are the Sentinels of the Filmmakers

Panasonic EVA-1 new Firmware Update: H.265 Analysis and Advantages

ALEXA Mini is the Dominant Camera Behind Sundance 2019 Films. RED’s Fans Take a Stand

Would Apple Ditch NVIDIA for AMD’s new Radeon VII? The Mac Pro Hypothesis

The CES 2019 Innovation Award Goes to: HERO7 Black, Canon RF 28-70mm lens and LitraPro

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