Discuss Archives - Page 47 of 51 - Y.M.Cinema Magazine

Canon C500 Mark II: Sample Footage and Real-World Execution

by

2020-01-02

Discuss

3 mins read

We dug the net to find some evidence for C500 Mark II footage. There are not many. However, we find some sample videos and one commercial shot on this new large-format cinema…

77th Golden Globe Awards: Motion Picture Nominees-Camera manufacturers chart

The Cameras Behind the 77th Golden Globe Awards

by

YMCinema

2019-12-17

Discuss

3 mins read

We’ve created a camera chart based on the 29 Motion Picture nominees of the 77th Golden Globe Awards. Furthermore, we have built another chart analyzing the segmentation of film vs. digital, which…

Major Lens manufacturers behind 2019’s top films

Pre-Oscar Lenses Chart: ARRI, Cooke, Angenieux and a lot of Panavision

by

YMCinema

2019-12-11

Discuss

3 mins read

The tradition goes on. After the Pre-Oscar Camera Chart, now is the time to explore the glass. So we have created a simplified chart of the lenses used to shoot 2019’s top…

The camera manufacturers behind 2019’s top films

Pre-Oscar Camera Chart: Panavision, RED and Tons of ALEXA

by

YMCinema

2019-11-27

Discuss

2 mins read

It became a tradition. Every year we collect the data regarding the camera and lenses behind the most promising films of the year, and we convert it to a simplified, user-friendly chart.…

Line of Duty and the Panavision T-series

Panavision T-Series Anamorphic: The Lenses Behind Line of Duty

by

YMCinema

2019-11-19

Discuss

2 mins read

The T-Series strikes again. Those Panavision lenses were used to shoot Line of Duty film. Let’s explore some BTS footage and what the cinematographer Brandon Cox has to say about this glass. …

Cinematographer Si Bell and director Anthony Byrne on Peaky Blinders Season 5 set

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

by

YMCinema

2019-11-11

Discuss

3 mins read

After four seasons shooting with the ALEXA and spherical lenses, cinematographer Si Bell and director Anthony Byrne wanted a change. Thus moving to Cooke Anamorphic Primes paired with the RED MONSTRO seemed…

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

by

YMCinema

2019-10-31

Discuss

3 mins read

As you already know, Netflix has updated its list of authorized cameras by including the Panasonic S1H. The S1H is the first Netflix approved mirrorless and the most affordable camera in the…

Executing long take. Picture credit: ARRI

The Art of the Long Take: A Discussion by Directors UK & ARRI

by

YMCinema

2019-10-29

Discuss

4 mins read

On Nov14, Directors UK & ARRI will host a 90-minute session that includes the screening of six single-shot short films. The event will be held within the Camerimage International Film Festival. That…

Roger Deakins Talks About the new ALEXA Mini LF. Picture credit: ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

by

YMCinema

2019-10-22

Discuss

3 mins read

Roger Deakins CBE, ASC, BSC, is the Director of Photography behind 1917, which is the first film that was shot on the ALEXA Mini LF with the Signature Primes. Read what Deakins…

Komodo 6K Camera: A “Badass little RED.”

by

YMCinema

2019-10-07

Discuss

3 mins read

Komodo, which is the new camera from RED, turned out to be a hot topic among filmmakers. This RED’s most affordable camera, which hasn’t been announced yet, continues to accumulate some substantial…

Discuss - Page 47

Canon C500 Mark II: Sample Footage and Real-World Execution

The Cameras Behind the 77th Golden Globe Awards

Pre-Oscar Lenses Chart: ARRI, Cooke, Angenieux and a lot of Panavision

Pre-Oscar Camera Chart: Panavision, RED and Tons of ALEXA

Panavision T-Series Anamorphic: The Lenses Behind Line of Duty

Peaky Blinders Season 5 Was Shot on RED MONSTRO With the Cooke Anamorphic Primes

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

The Art of the Long Take: A Discussion by Directors UK & ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

Komodo 6K Camera: A “Badass little RED.”

Recent Posts

Categories

Get the best of filmmaking!