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The Philosophy Behind Sony Cinema Line

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2024-11-08

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6 mins read

Sony’s Cinema Line has become an icon in the world of digital cinema. It’s more than just a collection of cameras; it’s a philosophical commitment to empower creators and push the boundaries…

Premiere Pro, DaVinci Resolve, or Final Cut Pro: Which Should You Choose?

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Yossy Mendelovich

2024-10-29

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6 mins read

In the world of video editing, the choice of software can make or break a project. Adobe Premiere Pro, Blackmagic DaVinci Resolve, and Apple Final Cut Pro are three leading Non-Linear Editors…

Top-Selling Mirrorless Cameras of 2024: Sony, Canon, and Nikon Face Off

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Yossy Mendelovich

2024-10-25

Educate

4 mins read

The mirrorless camera market in 2024 has seen remarkable advancements and intense competition. Dominated by giants Sony, Canon, and Nikon, the race to win the favor of photographers and videographers has led…

Lawrence Sher, ASC on Joker 2: We Wanted to Shoot in IMAX Film Cameras

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Yossy Mendelovich

2024-10-13

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2 mins read

In a podcast called “The Making Of” on the making of “Joker: Folie à Deux,” DP Lawrence Sher, ASC, shared some intriguing facts regarding the cameras chosen to shoot the movie. It…

What Cinema Lenses Can Be Used With the URSA 65?

Which Cinema Lenses Can Be Used With the URSA 65?

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Yossy Mendelovich

2024-09-23

Educate

2 mins read

Blackmagic Design elaborates on the cinema lenses that can be paired with the mighty sensor of the URSA Cine 17K 65. In the list are medium format lenses like Leitz Thalia, Tribe7…

Loading 65mm IMAX Film Into the MSM 9801 Beast

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Yossy Mendelovich

2024-09-17

Educate

1 min read

Have you ever wondered how to load 15 perforation 65mm film into a (real) IMAX camera? We found a cool video that shows you how to do it. Check it out. Loading…

ARRI Presents: The ALEXA 35 Showreel 2024

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Yossy Mendelovich

2024-09-15

Educate

1 min read

ARRI has published the ALEXA 35 Showreel for 2024. This showreel aims to demonstrate the cinematographic diversity of projects shot on the ARRI 35, from blockbusters to indie commercials, and also to…

The Lenses Behind Joker 2

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Yossy Mendelovich

2024-09-14

Educate

2 mins read

Joker 2 (Joker: Folie à Deux) is a cinematic masterpiece. The camera that created it is the acclaimed ARRI ALEXA 65. However, the magical lens that shot it is the mighty MasterBuilt…

Hear the Sound of IMAX 15/70 Film Cameras

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Yossy Mendelovich

2024-09-03

Educate

2 mins read

IMAX film cameras are noisy. Their design and structure make them almost impossible to utilize in dialogue scenes. However, have you ever heard them on set? These two YouTube videos demonstrate the…

Shooting Fast Cars With ARRI ALEXA 35 and Signature Zoom 65-300mm

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Yossy Mendelovich

2024-08-21

Educate

3 mins read

Not every day we see a small crew that chooses to film race cars with high-end cinema cameras and lenses. Here, cinematographer Dennis Zanatta puts you in the race with the ARRI…

Educate - Page 2

The Philosophy Behind Sony Cinema Line

Premiere Pro, DaVinci Resolve, or Final Cut Pro: Which Should You Choose?

Top-Selling Mirrorless Cameras of 2024: Sony, Canon, and Nikon Face Off

Lawrence Sher, ASC on Joker 2: We Wanted to Shoot in IMAX Film Cameras

Which Cinema Lenses Can Be Used With the URSA 65?

Loading 65mm IMAX Film Into the MSM 9801 Beast

ARRI Presents: The ALEXA 35 Showreel 2024

The Lenses Behind Joker 2

Hear the Sound of IMAX 15/70 Film Cameras

Shooting Fast Cars With ARRI ALEXA 35 and Signature Zoom 65-300mm

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