The Netflix Film Club has launched a four-part BTS (behind the scenes) video series about the making of the Army of the Dead. The series conducted by the director and cinematographer Zack…
Panavision has published some pictures of a 9-camera array of its DXL2, used by the crew of “The Little Things” to capture plates for driving sequences. If I’m not mistaken, this is…
The 1st AC is one of the major roles of the production. It’s far beyond just pulling focus. A neat video by Film Riot grants the 1ST AC the respect it deserves.…
Thanks to the Slow Mo Guys, we’re getting a glimpse into what the new Phantom TMX was made for. Shooting spark plug thrown at the car window, recorded at 800,000 FPS (Frames…
Let’s have a look at this outstanding Michel Bay-style Nissan Spot. This high-octane commercial was directed by Jordan Harriman and Kyle Padelford and shot by cinematographer Brook Willard on the Panavision DXL2…
Thanks to one of our readers, John Owens, a very well-crafted tutorial was made, which tells your everything you need to know to start shooting on the BMPCC4K (Blackmagic Pocket Cinema Camera…
These days, shooting high speed is a no-brainer. However, shooting ultra-high-speed (1,000 and beyond) is a bit more complicated, but just a bit. Luckily, we’ve found an article published by Vision Research…
This new Kia commercial presets a truly impressive implementation of the Blackmagic cameras ecosystem. Shot by Freystil, which is a Salzburg-based content production agency, on the Blackmagic Pocket 6K and URSA 12K,…
Stargazers brothers, Zander and Elliot, who are also independent filmmakers, have decided to utilize the Blackmagic Pocket Cinema Camera 6K Pro, to capture the moon at 6K BRAW. The result presents outstanding…
Meet ZeeGee. This new gimbal allows the handheld look with the advantages of Steadicam. The ZeeGee opens new possibilities for cinematographers that are eager for handheld style imagery, without the fatigue involved. …