Educate Archives - Page 37 of 56 - Y.M.Cinema Magazine

One-Take 6 -Minutes Film Shot With the ARRI Mini LF and FUJINON Premista 19-45mm

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2021-06-17

Educate

2 mins read

Adrift is a 6-minutes one-take short film shot with the FUJINON Premista 19-45mm T2.9. The lens was paired with the ARRI ALEXA Mini LF, on a stabilized gimbal. The execution was pretty…

The Beginner’s Guide to DaVinci Resolve 17

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YMCinema

2021-06-11

Educate

2 mins read

Blackmagic Design has just published its Beginner’s Guide to DaVinci Resolve 17. This newly FREE updated training guide covers high-speed editing on the cut page, how to use the traditional edit page,…

Freefly Wave + FPV Drone = Never Seen Before Slow Motion Shots

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YMCinema

2021-06-10

Educate

3 mins read

This is an amazing case study for the perfect utilization of powerful yet accessible filmmaking tools. FPV drone pilot specialist Johnny Schaer (aka Jonny FPV) has shot a commercial for Porsche using…

5 Steps to Setting Up Your Remote Color Grading “Office”

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YMCinema

2021-06-01

Educate

5 mins read

Blake Jones, an instructor at the International Colorist Academy with 30 years of experience, shares with us his tips & tricks on how to set up a professional remote color grading “office”.…

Zack Snyder Shot the Entire ‘Army of the Dead’ on Wide Open Aperture (f0.95)

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YMCinema

2021-05-28

Educate

2 mins read

The behind the scenes episode presented by the Netflix Film Club showing the making of ‘Army of the Dead’, reveals the brave cinematography decision by Snyder to shoot the whole movie when…

Zack Snyder on the set of Army of the Dead. Picture: Netflix

Zack Snyder Teaches Filmmaking

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YMCinema

2021-05-27

Educate

1 min read

The Netflix Film Club has launched a four-part BTS (behind the scenes) video series about the making of the Army of the Dead. The series conducted by the director and cinematographer Zack…

Panavision Unveils Crazy 9 DXL2 Array on “The Little Things” Set

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YMCinema

2021-05-26

Educate

2 mins read

Panavision has published some pictures of a 9-camera array of its DXL2, used by the crew of “The Little Things” to capture plates for driving sequences. If I’m not mistaken, this is…

1st AC Amanda Wojtaszek with the Panavision DXL2: Anne With An E S3 -2019 Photo by Mark Ekin

1st AC: The Leader of the Camera Department

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YMCinema

2021-05-23

Educate

2 mins read

The 1st AC is one of the major roles of the production. It’s far beyond just pulling focus. A neat video by Film Riot grants the 1ST AC the respect it deserves.…

Shooting at 800,000FPS With the Phantom TMX

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YMCinema

2021-05-21

Educate

2 mins read

Thanks to the Slow Mo Guys, we’re getting a glimpse into what the new Phantom TMX was made for. Shooting spark plug thrown at the car window, recorded at 800,000 FPS (Frames…

Watch: Insane Kinetic Nissan Spot – Shot on Panavision DXL2 and Anamorphic Zooms

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YMCinema

2021-05-19

Educate

2 mins read

Let’s have a look at this outstanding Michel Bay-style Nissan Spot. This high-octane commercial was directed by Jordan Harriman and Kyle Padelford and shot by cinematographer Brook Willard on the Panavision DXL2…

Educate - Page 37

One-Take 6 -Minutes Film Shot With the ARRI Mini LF and FUJINON Premista 19-45mm

The Beginner’s Guide to DaVinci Resolve 17

Freefly Wave + FPV Drone = Never Seen Before Slow Motion Shots

5 Steps to Setting Up Your Remote Color Grading “Office”

Zack Snyder Shot the Entire ‘Army of the Dead’ on Wide Open Aperture (f0.95)

Zack Snyder Teaches Filmmaking

Panavision Unveils Crazy 9 DXL2 Array on “The Little Things” Set

1st AC: The Leader of the Camera Department

Shooting at 800,000FPS With the Phantom TMX

Watch: Insane Kinetic Nissan Spot – Shot on Panavision DXL2 and Anamorphic Zooms

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