Educate Archives - Page 40 of 56 - Y.M.Cinema Magazine

Avatar (2009): The Milestone of Filmmaking Breaks a Record

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2021-03-15

Educate

3 mins read

One of the most ambitious filmmaking projects of all time breaks the record. Avatar (2009) has become the highest-grossing film of all time at the global box office, overtaking Marvel’s Avengers: Endgame.…

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

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YMCinema

2021-03-11

Educate

1 min read

The American Society of Cinematographers (ASC) has announced its nominees for feature film, documentary, and television cinematography. Hence, we’ve created user-friendly slides that show the cameras and lenses been used to shoot…

Toyota Commercial Shot on ARR AMIRA and Xelmus Anamorphic Primes

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

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YMCinema

2021-03-10

Educate

1 min read

This Toyota commercial was shot by cinematographer Brent Christy on the ARRI AMIRA and Xelmus Anamorphic Primes (Apollo series). The result is beautiful flaring and stunning imagery that presets the anamorphic cinematography…

Blackmagic Pocket 6k with Zeiss 16x microscope lens. Image: Daniel Schweinert

Micro Filmmaking With the Blackmagic Pocket 6K Cinema Camera

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YMCinema

2021-03-08

Educate

3 mins read

Here’re some insane shots by filmmaker Daniel Schweinert, which paired the Blackmagic Pocket 6K Cinema Camera with microscope lenses. Welcome to the world of micro filmmaking. Read how he did it. Micro…

Women’s Cinema: Meet 1st AC Rebecca Baliko

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YMCinema

2021-03-04

Educate

5 mins read

As part of our series, Women’s Cinema, we interviewed 1st AC Rebecca Baliko. In this episode, Rebecca tells us what made her choosing filmmaking as a career (following her father’s footsteps), the…

Borat 2 Cinematography: ARRI Amiras, ALEXA Minis, iPhones, and more

Borat 2 Cinematography: ARRI Amiras, ALEXA Minis, iPhones, and Much More

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YMCinema

2021-03-02

Educate

2 mins read

The cinematography behind one of the biggest winners in the 78th Golden Globe Awards was kind of a mystery. Luckily, DP Luke Geissbühler sheds light on the making. It seems that Borat…

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

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YMCinema

2021-02-28

Educate

2 mins read

Another modern adaptation of the classic rivalry was shot for the big screen. Directed by Tim Story and shot by Alan Stewart on the Sony VENICE Paired With Panavision Primo 70 and…

Superman & Lois Preserves the Zack Snyder Look: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

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YMCinema

2021-02-24

Educate

2 mins read

The new TV superhero action-drama, ״Superman & Lois״ was shot for the small screen, but with standards that meet the huge canvas. Shot on Panavision DXL2 and RED Monstro with true anamorphic…

BTS of David Guetta Dubai Show (ARRI ALEXA Mini and Blackcam). Picture: Blackcam

David Guetta Dubai Show was Captured Live by Four ARRI Cameras

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YMCinema

2021-02-22

Educate

4 mins read

The David Guetta show was captured live utilizing four ARRI cameras (2 ALEXA Mini and 2 Amira) straight from the helipad of Burj al Arab hotel in Dubai. The show was shot…

ARRI Tech Talk: The Nuts and Bolts (and Beyond) of CODEX HDE

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YMCinema

2021-02-18

Educate

2 mins read

Another very educational episode of ARRI Tech Talk has been published. This time the session focused on the CODEX HDE technology and implementations, that are being used to reduce those heavy ARRIRAW…

Educate - Page 40

Avatar (2009): The Milestone of Filmmaking Breaks a Record

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

Watch: Stunning Commercial Shot on Xelmus Anamorphic Primes

Micro Filmmaking With the Blackmagic Pocket 6K Cinema Camera

Women’s Cinema: Meet 1st AC Rebecca Baliko

Borat 2 Cinematography: ARRI Amiras, ALEXA Minis, iPhones, and Much More

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

David Guetta Dubai Show was Captured Live by Four ARRI Cameras

ARRI Tech Talk: The Nuts and Bolts (and Beyond) of CODEX HDE

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