The Oscar, beyond the shadow of a doubt, is a major filmmaking event. As filmmakers, we watch films from a professional perspective, and always eager to know more about the cameras and…
Although there are numerous comparisons between those two workhorses, here you have two that worth watching. The ARRI Mini VS C200 comparison was not planned for benchmark testing, but to a real-world…
A few days ago, we wrote about the cameras used to shot the Oscar 2019 films nominated for Best Picture and Cinematography. The article was a great success. A lot of our…
If you haven’t heard of this great initiative by ARRI, you should definitely check it out now, because there are new and fresh cameras in stock. Yes, you can buy a certified…
Although it’s repeated too often and overused topic, it is still very tempting to repeatedly exploring the cameras behind leading film contests, festivals (e.g.Sundance) and of course, the Oscar. With all the…
SteadyCross is a new gimbal with interesting technology, or should we say, another technology that utilizes a magnetic field in order to produce steady shots. This gimbal is a hybrid of counterweight…
Did NVIDIA save the 8K workflow? According to RED Digital Cinema, the answer is YES. This joint venture is like a business love story. NVIDIA’s GPUs allow the powerful way to work…
Denver Riddle, the founder of Color Grading Central, has put together a short tutorial that teaches you how the emulate the “Blockbuster look” that is familiar with Hollywood films, by using accessible…
HDR (High Dynamic Range) cinematography was presented by Michael Cioni and Aaron Kroger from Panavision at Camerimage 2018. The presentation was dedicated to new ideas and concepts related to HDR. Read below our insights…
The 8K prototype camera was used together with the Panasonic VARICAM 35 and the AU-EVA to produce the short film “The Festival of Up Helly Aa” which has won the Excellence Award…