During the first Live session, returning Atomos CEO Jeromy Young revealed that the company is entering the lighting world, not in a conventional way, but in a more high-tech way. You will…
“Celluloid is alive-and-kicking”. This is our repeatable sentence, but this time was stated by the acclaimed IMAX cinematographer Hoyte Van Hoytema NSC FSF ASC as a part of his speech winning the…
Panavision has introduced a new anamorphic-rental-only lens, the Ultra Panatar II. The lens features a 1.3x squeeze, and a warm-hued flare, and covers a 46mm diagonal. That’s a nice way to celebrate…
IMAX has just released the Twisters (1996 Twister’s sequel) trailer, and it looks awesome. The Twisters movie was shot by legendary Dan Mindel ASC, BSC, SASC purely on film (ARRIFLEX 435, ARRIFLEX…
According to Canon’s most recent press release, the company is the #1 mirrorless camera brand for a third year in 2023 and was the #1 mirrorless camera brand in the U.S. in…
Now you can edit Sony BURANO X-OCN files in DaVinci Resolve and Premiere Pro. Both of them have released support for the new CineAlta camera. Release notes are below. And what about…
IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, it’s a tiny and reduced…
BREAKING: RED Digital Cinema has just announced its new flagship DSMC3 models, which are RED V-Raptor [X] and its XL version. Both are armed with a newly developed global shutter sensor, and…
ARRI has announced its most advanced stabilized remote head titled 360 EVO. Building on the success of the SRH-360, the 360 EVO features 360-degree rotation on the roll axis as well as…
There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…