This was one of the most fascinating sessions during NAB 2024. The lecture titled “The Art and Science of IMAX” sheds light on IMAX filmmaking and the upcoming next-generation of IMAX 65mm film…
Deadline is reporting on hundreds more layoffs incoming at one of the VFX top firms, DNEG, which is the VFX company behind major blockbusters like Dune: Part Two, Oppenheimer, The Last of…
Sora has not publicly launched yet, but its first contender has popped up. Meet Vidu, the Chinese answer to Sora. Vidu is China’s first long-duration, highly consistent, and highly dynamic video model.…
Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it…
RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan to enter strongly into the cinema market. Nikon’s plan…
Adobe Research has just introduced VideoGigaGAN, an AI method that can upscale video resolution up to X8 with incredible sharpness and zero quality loss. It might be implemented on Premiere Pro in…
OFG (Old Fast Glass) has picked up the gauntlet and made a custom rig for the Fujifilm GFX100 II, titled OFG Customs 65 (named on the 65-sized sensor). The goal was to…
Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à Deux”) will also be screened in 70mm theaters. However,…
Canon has announced a new 27x portable broadcast zoom lens and next-generation digital drive unit. The lens titled CJ27ex7.3B, is Canon’s first 2/3” portable lens with a class-leading 27x optical zoom, which…
DZOFILM introduces three new focal lengths to its PAVO Anamorphic series. Joining the lineup are the Macro 65mm T2.8, 135mm T2.5, and 180mm T2.8 lenses. One standout addition to the latest PAVO…