What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many…
On a new fascinating podcast by “Colorist Meetup”, some of the developing processes of ARRI’s color science are revealed. In the podcast, ARRI Chief Color Scientist, Harald Brendel, clearly states that the…
Nikon Asia has published a video showing off the filmmaking capabilities of its flagship Z9. The video focuses on the efficiency of shooting and editing in 8K N-RAW. This video demonstrates that…
We’ve contacted Nikon to make a comment on the lawsuit from RED Digital Cinema regarding the claimed violation of RED’s compressed raw patent on Nikon’s Z9 flagship camera. However, Nikon preferred not…
The forthcoming ALEXA 35 incorporates a brand new sensor manufactured by ARRI. This Super 35 sensor titled ALEV 4 might become ARRI’s most important technological achievement which may imply ARRI’s next generations…
Will external recorders become history? Most probably, especially those who are dedicated to recording raw via HDMI. When examining the recent releases, it appears that camera manufacturers make decent efforts to bypass…
A Chinese company called CHIOPT has developed its first full-frame cinema zoom lens titled Extremer Compact Zoom 28-85mm/T3.2. CHIOPT says that this lens is a “super cost-effective” FF Cine Zoom, and it’s…
In April 2018 Apple released ProRes RAW, which is built upon the same technology as other ProRes codecs but is directly applied to the raw data coming from the sensor. Most probably,…
In an interview held by the Russian website PhotoWebExpo, Canon revealed its plans for the forthcoming EOS R3. Canon’s representative confirmed that the R3 will not be a flagship camera, but a…
Canon has filed a quite intriguing patent, deals with the facilitation (or complexity) of the focus pulling (and zoom) actions. Canon wants you to focus by circulating with your finger on a…