ARRI Rental has released a showreel of one of the most fascinating cameras out there: The ALEXA 65. Let’s check it out and discuss what is so special about this sensor and…
Some of you may dislike this review, but I’m sure others will agree. In my personal opinion, 1917 is nothing more than a bunch of average technical old fashioned overused cinematography tricks…
We’re lucky enough to get a glimpse into a wildlife cinematography work. In this case-study, Seven Worlds, One Planet cinematographer Mark MacEwen gives us some essential tips on how to capture the…
It became a tradition. Every year we collect the data regarding the camera and lenses behind the most promising films of the year, and we convert it to a simplified, user-friendly chart.…
We have found the most cost-effective gems for filmmakers, which include a decent entry-level camera (Nikon Z6), a high-quality screen (Dell UltraSharp 27), an editing machine (Lenovo 15.6″ Legion Y540) and an…
After four seasons shooting with the ALEXA and spherical lenses, cinematographer Si Bell and director Anthony Byrne wanted a change. Thus moving to Cooke Anamorphic Primes paired with the RED MONSTRO seemed…
This article demonstrates the effectiveness of Blackmagic Design Pocket Cinema Camera 4K and its BRAW, in Sci-Fi filmmaking. The Pocket 4K and BRAW have been utilized with DaVinci Resolve to produce professional…
Huge price drops on the RED Hydrogen One. Is that a clearance sale for the upcoming Hydrogen Two? Furthermore, what’s the link between this and RED’s new low-end camera (Komodo)? Read down…
Our latest articles were focused on the large format glass. We attacked this topic as a result of the growth of sensor sizes, especially in cinema cameras market. Our chart and in-depth…
The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…