Y.M.Cinema Magazine

Does Nikon Develop a Medium Format Camera?

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2022-08-28

Discuss

1 min read

Nikon China publishes (accidentally?) a 67 MegaPixel image on its main social media (Weibo). There’s no reason this photo was not taken with Nikon’s camera. But Nikon does not have a camera…

Discuss

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

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YMCinema

2022-08-25

Educate

3 mins read

In continues to our previous article “Shooting Anamorphic on Vertical Sensor”, this time, cinematographer Michael Della Polla shares with us his ‘vertical anamorphic’ knowledge when shooting with the Z CAM S6 and…

Educate

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

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YMCinema

2022-08-24

Discuss

3 mins read

During the RED Tech LIVE Q&A session, CEO Jarred Land shed some very interesting light on topics like AF (AutoFocus), an IR (InfraRed) version of the V-Raptor XL, and the sensor size…

Discuss

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

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YMCinema

2022-08-24

News

3 mins read

A huge price drop on the ARRI ALEXA SXT was spotted by The NewsShooter. Instead of $74,500, this beast now costs $44,500, which means a discount of $30,000. Should/would you buy it?…

News

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

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YMCinema

2022-08-23

Educate

2 mins read

Sony has published a video demonstrating the differences between its large format CMOS sensors with Global and Rolling shutters. The video is very straightforward and simple to understand. Explore the key points…

Educate

Winning Time Cinematography: Shooting Basketball Using Rollerblades and ARRIFLEX 235

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YMCinema

2022-08-22

Educate

2 mins read

Panavision has shared a super cool BTS video from Winning Time: The Rise of the Lakers Dynasty. It appears that the most immersive basketball shots were captured on the ARRIFLEX 235, by…

Educate

Sony has Announced the Future Filmmaker Awards

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YMCinema

2022-08-19

News

3 mins read

The Sony Future Filmmaker Awards is a major new annual awards program for short films devoted to supporting and elevating independent filmmakers and creators from across the globe. All shortlisted entrants will…

News

The Main Components of Cinema Camera Rig

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YMCinema

2022-08-18

Educate

3 mins read

Have you wondered why the cinema camera’s rig looks so sexy and intimidating? Luckily, CVP has released a video that explains it all. Read below how main components like camera, monitoring devices,…

Educate

Shooting Anamorphic on Vertical Sensor

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YMCinema

2022-08-17

Educate

4 mins read

Vertical anamorphic is a unique and fascinating shooting method, that may grant you stunning results. However, have you considered turning your camera sideway to the anamorphic lens? Well, Berlin-based cinematographer Janis Brod…

Educate

Atlas Teases the Mercury Series Anamorphic Lenses

by

YMCinema

2022-08-16

News

1 min read

Atlas has shared a teaser regarding its new lens series titled Mercury. The official introduction is set for the beginning of September. Although the teaser is not revealing much, we think we…

News

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

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YMCinema

2022-08-15

Discuss

3 mins read

IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…

Discuss

NIKKEI: “The VENICE Makes Sony Stronger in the Movie Field”

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YMCinema

2022-08-11

News

2 mins read

NIKKEI Business Daily has published an article that praises Sony’s professional camera – The VENICE. According to NIKKEI, the VENICE was treated like an underdog, however, it has been highly accepted by…

News

DJI AVATA: A Mini FPV-CineWhoop Drone for Indoor Aerial Cinematography

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YMCinema

2022-08-10

Discuss

3 mins read

Soon, DJI is going to announce a very cool product. That would be a CineWhoop version of its FPV drone (a Mini FPV) titled AVATA. Although leaks are everywhere, the question remains,…

Discuss

The Patent War for RAW

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YMCinema

2022-08-09

Discuss

4 mins read

What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many…

Discuss

Z CAM E2-F6 Paired With IMAX Cameras in Mission Impossible 7

by

YMCinema

2022-08-08

News

4 mins read

Now it has been confirmed by Z CAM’s CEO, Kinson Loo as well. It appears that the Z CAM E2-F6 played a major part in crafting the unique action imagery of Mission:…

News

ARRI Tech Talk: Assembling the ALEXA 35 Lightweight Set

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YMCinema

2022-08-08

Educate

1 min read

ARRI has published a tutorial that demonstrates how to assemble the Lightweight Set for the ALEXA 35. It’s highly recommended to watch this even if you don’t intend to shoot with the…

Educate

Black Panther: Wakanda Forever – The IMAX Trailer

by

YMCinema

2022-08-05

Compare

2 mins read

IMAX has released the IMAX version of the marvelous teaser trailer of Black Panther: Wakanda Forever. Shot by cinematographer Autumn Durald Arkapaw, ASC on the Sony VENICE, the teaser looks superb. Here’s…

Compare

RED V-Raptor XL 8K VV: Available for Pre-Order – Starting at $39,500

by

YMCinema

2022-08-04

News

3 mins read

RED has announced that its most advanced camera ever, The V-Raptor XL 8K VV is now available for pre-order. The price starts at $39.500 USD. The specs list is down below. Will…

News

Adobe Publishes Premiere Pro’s “Best Practices & Workflow Guide” for Filmmakers

by

YMCinema

2022-08-04

Educate

2 mins read

Adobe has launched its Premiere Pro’s 130 pages “Best Practices and Workflow Guide” which was tailored for editors and filmmakers in film and television. The guide is free for download and covers…

Educate

‘NOPE’ Was Shot on a Unique ‘Day-for-night’ Rig of ALEXA 65 Infrared and Panavision System 65

by

YMCinema

2022-08-03

Educate

3 mins read

As complicated as this title sounds, it’s quite simple. The night scenes of NOPE were shot using a one-of-a-kind rig combined with ARRI ALEXA 65 Infrared and Panavision System 65mm film camera.…

Educate

SIGMA CEO: The Full-Frame Foveon X3 Sensor Will be Ready This Year

by

YMCinema

2022-08-03

News

2 mins read

In an interview with SIGMA CEO Kazuto Yamaki, more information about the anticipated full-frame Foveon X3 sensor has been revealed. According to Yamaki, this revolutionary sensor is in its final stage of…

News

Canon Hints About the Future of its DSLRs

by

YMCinema

2022-08-02

News

2 mins read

Canon has published its Second Quarter 2022 Results, and the Analyst Meeting Q&A Session Summary. These are the takeaways: Canon prioritizes full-frame mirrorless cameras, expects the market of professional and advanced amateurs…

News

Sony FX3 is Netflix Approved

by

YMCinema

2022-08-02

News

2 mins read

Netflix has just approved the Sony FX3 to be used as the primary camera to shoot its 4K Originals. The reason for this approval is the latest Firmware 2.0 that constitutes a…

News

Does Nikon Develop a Medium Format Camera?

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

Sony Large Format CMOS Sensors: Global Shutter vs. Rolling Shutter

Winning Time Cinematography: Shooting Basketball Using Rollerblades and ARRIFLEX 235

Sony has Announced the Future Filmmaker Awards

The Main Components of Cinema Camera Rig

Shooting Anamorphic on Vertical Sensor

Atlas Teases the Mercury Series Anamorphic Lenses

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

NIKKEI: “The VENICE Makes Sony Stronger in the Movie Field”

DJI AVATA: A Mini FPV-CineWhoop Drone for Indoor Aerial Cinematography

The Patent War for RAW

Z CAM E2-F6 Paired With IMAX Cameras in Mission Impossible 7

ARRI Tech Talk: Assembling the ALEXA 35 Lightweight Set

Black Panther: Wakanda Forever – The IMAX Trailer

RED V-Raptor XL 8K VV: Available for Pre-Order – Starting at $39,500

Adobe Publishes Premiere Pro’s “Best Practices & Workflow Guide” for Filmmakers

‘NOPE’ Was Shot on a Unique ‘Day-for-night’ Rig of ALEXA 65 Infrared and Panavision System 65

SIGMA CEO: The Full-Frame Foveon X3 Sensor Will be Ready This Year

Canon Hints About the Future of its DSLRs

Sony FX3 is Netflix Approved

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