ALEXA 65 Archives - Page 4 of 6 - Y.M.Cinema Magazine

“Large Format Look”: There’s No Such Thing!

by

2022-04-04

Educate

6 mins read

In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…

Shooting Underwater With the ARRI ALEXA 65

by

Yossy Mendelovich

2022-03-02

Educate

1 min read

ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded…

A Tribute to the Phantom 65: World’s First 65mm Digital Cinema Camera

by

Yossy Mendelovich

2021-11-29

Educate

3 mins read

No, this is NOT a new camera. The Phantom 65 was developed by Vision Research back in 2008 as the world’s first 65mm digital cinema camera. The camera was utilized as one…

RED Raptor’s Stitched Sensor Shows Artifacts

by

Yossy Mendelovich

2021-11-28

Discuss

7 mins read

RED V-Raptor shooters revealed unwanted artifacts of a line from top to bottom that appeared in their footage. It gave the impression that this line is the split of the stitched sensors…

ARRI Cameras Sample Footage: Free Demo Shots (From XT to 65)

by

Yossy Mendelovich

2021-06-20

Educate

4 mins read

Have you ever wondered how’s like to edit, grade, and actually work with ARRI footage? ARRI has updated its sample footage library with various formats so you can download footage with different…

Godzilla vs. Kong was Shot on ALEXA 65 With Prime DNA Lenses: Exclusive BTS Revealed

by

Yossy Mendelovich

2021-03-28

Educate

2 mins read

The ultra-mega rivalry, Godzilla vs. Kong was shot by cinematographer Ben Seresin ASC, BSC on the ARRI ALEXA 65 camera paired with the dedicated Prime DNA lenses. Furthermore, exclusive behind-the-scenes footage was…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

Yossy Mendelovich

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

The Flying Pictures ULTRA drone with the ARRI 435 film camera and Cooke lens

Meet ULTRA by Flying Pictures: A Heavy Lift Drone With a Payload of 60Kg

by

Yossy Mendelovich

2020-07-20

Educate

2 mins read

Flying Pictures has introduced its “Cinematography’s Most Powerful Drone” called ULTRA. This heavy-lift drone is capable of a maximum payload capacity of up to 60kg/132lbs and a Maximum Take-Off Mass of 110kg/243lbs.…

ARRIFLEX 765: The Camera Behind “No Time To Die”

by

Yossy Mendelovich

2020-04-05

Educate

2 mins read

Let’s learn a bit about this fascinating 65mm film camera, the ARRIFLEX 765, which was the 2nd unit camera for the latest James Bond movie – “No Time To Die”. Read on. …

IMAX MSM 9802 65mm camera. Photo by Matthew Williams

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

by

Yossy Mendelovich

2020-03-03

Discuss

4 mins read

There is no doubt that film cameras made a comeback, as more directors see the film stock as their weapon of choice regarding the best imagery that can be achieved. Moreover, in…

ALEXA 65 - Page 4

“Large Format Look”: There’s No Such Thing!

Shooting Underwater With the ARRI ALEXA 65

A Tribute to the Phantom 65: World’s First 65mm Digital Cinema Camera

RED Raptor’s Stitched Sensor Shows Artifacts

ARRI Cameras Sample Footage: Free Demo Shots (From XT to 65)

Godzilla vs. Kong was Shot on ALEXA 65 With Prime DNA Lenses: Exclusive BTS Revealed

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

Meet ULTRA by Flying Pictures: A Heavy Lift Drone With a Payload of 60Kg

ARRIFLEX 765: The Camera Behind “No Time To Die”

IMAX Film Cameras are Back to the Game: Kodak Business is Booming

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