Shooting Underwater With the ARRI ALEXA 65. Credit: ARRI Rental
Shooting Underwater With the ARRI ALEXA 65. Credit: ARRI Rental

Shooting Underwater With the ARRI ALEXA 65

2022-03-02
1 min read

ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded of its birth, and utilization in motion pictures. 

DP Zhang Wei with the ALEXA65 and HydroFlex underwater housing. Credit: ARRI Rental
DP Zhang Wei with the ALEXA65 and HydroFlex underwater housing. Credit: ARRI Rental

The first shoot of ALEXA 65 was underwater (in 2014)

The first production to use the ALEXA 65 and to hit theaters was Mission: Impossible – Rogue Nation. While the movie was shot primarily on a 35 mm film by Robert Elswit ASC, a major underwater sequence was captured with ALEXA 65 cameras and Prime 65 lenses in HydroFlex housings by Pete Romano ASC. The sequence was done entirely inside a ‘green’ pool. The reason for shooting the brand new ALEXA 65 was due to the demand for maximizing quality for VFX purposes.

BTS of Mission: Impossible – Rogue Nation. Credit: HydroFlex
BTS of Mission: Impossible – Rogue Nation. Credit: HydroFlex

HydroFlex + Nauticam

According to ARRI Rental, the ALEXA 65 wasn’t available at that point. Pete and HydroFlex’s Matt Brown worked closely with ARRI Rental Group London’s, Neil Fanthom and John Duclose during the design phase of the underwater housing construction. HydroFlex also teamed with Nauticam underwater camera company, Ryan Canon, to design and build a custom glass dome port for the ALEXA 65’s 24mm, 28mm, and 35mm lenses. The underwater housings were finished in early November and HydroFlex received the prototype ALEXA 65 on November 11th for the first fitting and electrical and buoyancy testing. On November 13th HydroFlex shipped two successfully tested ALEXA 65 underwater camera systems off to the location, and this pioneered shoot has started.

HydroFlex ALEXA 65 underwater housing. Credit: HydroFlex
HydroFlex ALEXA 65 underwater housing. Credit: HydroFlex

One of the most intensive underwater shoot

At the end of the shoot, over 400 hours were logged into the camera. The team put the ALEXA 65 underwater for 20 consecutive days, 10 hours at a time. Hence, the heat was a big concern, but according to the crew, by using a proprietary heat sink that was built into the housings, all heat issues were eliminated. The team stated that the camera performed perfectly.

Behind the scenes with DP Zhang Wei and his team filming underwater with the ALEXA65 and HydroFlex underwater housing. Credit: ARRI Rental
Behind the scenes with DP Zhang Wei and his team filming underwater with the ALEXA65 and HydroFlex underwater housing. Credit: ARRI Rental

To sum it up, It was one of the most complicated VFX underwater sequences. However, it has been well executed since it’s one of the most impressive and special scenes in the whole movie. Almost anyone who watched Mission: Impossible – Rogue Nation, remembers it very well. For those who need a reminder, explore that scene below:

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Christopher Nolan’s ‘Oppenheimer’ Is The First to be Shot on B&W IMAX
Previous Story

Christopher Nolan’s ‘Oppenheimer’ Is The First to be Shot on B&W IMAX

Canon: “It may take more than half a year to deliver the EOS R3”
Next Story

Canon: “It may take more than half a year to deliver the EOS R3”

Latest from Educate

Dune Part Two: IMAX Q&A With Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
The Advantages of Underwater Drone.

The Advantages of Underwater Drone

In this fascinating case study, the advantages of underwater drones are demonstrated. Wildlife filmmaker Antoine Drancey has been utilizing the Boxfish Luna underwater drone to film the extraordinary stunning deep underwater world.…
Go toTop

Don't Miss

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

Shot with one of the newest cinema cameras paired with good & old glass, The Fall Guy which was released in cinemas today,
Meet the OFG Customs 65: A Professionally Built Fujifilm GFX100 II

Meet the OFG Customs 65: A Professionally Built Fujifilm GFX100 II

OFG (Old Fast Glass) has picked up the gauntlet and made a custom rig for the Fujifilm GFX100 II, titled OFG Customs 65