For most filmmakers, ARRI has always been a brand they use rather than a brand they own. ALEXA cameras sit at the top of the professional cinema market, commonly purchased by rental…
Venice Film Festival 2026 offers a useful snapshot of how leading cinematographers are choosing cameras and lenses today. Across 39 selected films, the survey shows a strong preference for established ARRI systems,…
David Ayer’s Heart of the Beast combines two very different ARRI cameras: the film-based ARRIFLEX 435 and the digital ALEXA Mini LF. The survival thriller stars Brad Pitt as a former Navy…
The cameras behind Emmy-nominated productions offer a useful snapshot of where high-end television cinematography is heading. The 2026 selection is especially interesting because it shows two trends developing at the same time:…
ARRI’s Director of Image Science says the companies developed a calibration that allows Robot Phone footage to use the same lookup tables and Look files used with ALEXA cameras. A few days…
ARRI has revealed more details about the imaging technology developed for the upcoming HONOR Robot Phone. The collaboration goes beyond a branded color preset. The phone incorporates ARRI LogC3, ARRI Wide Gamut…
Netflix has published its official Camera Production Guide for the ARRI ALEXA 35 Xtreme, confirming the camera’s place in the Netflix 4K Originals ecosystem. That part is not exactly shocking. The ALEXA…
ARRI has released a short teaser showing a rig environment with a small tag labeled “MAX” and a clear message focused on speed and power. The image does not point to a…
ARRI has confirmed that its ALEXA 35 Live systems will be used at the Eurovision Song Contest 2026, marking the first real-world implementation of its partnership with Riedel Communications, as a full-scale…
A historic change for one of cinema’s most respected brands ARRI, the German manufacturer behind some of the most iconic cameras and lighting systems in cinema history, is being acquired by Thomas…